Search results

This seems a real stupid question, but it seems to be one of those things that got left out for me. Basically, i know were and when to use DI boxes, (i think!) and make use of them regulary to send signal to my amp, then mic it, and send a DI signal straight to the desk, im also using them on...

Logic Maybe you have good reasons, but considered logic? - for me its the most professional package that really caters for audio and MIDI.

Can you explain why please..? Cheers

yer i remember that email, made me laugh then, not now!

The other day i happend to walk into one of my collage studios to find some mates having a problem with getting the signal into the desk, some of the patching between the rooms in in need of re-doing. Anway, i ended up enginering there session, one of the probs they were having was the kick...

this sounds like a usefull little unit, would fit my needs very nicley - anyone got the prices, i couldnt find them. And did you ask about using it as a control interface - as in mix on the multi mix, and have it make the changes on the software. Cheers...

I was wondering weather there is a small, inexpensive firewire interface that alows me to transfere from ADAT to logic and pro tools via the optical out. I know bigger cards have them, but i was looking for a small, specific one just to do this job, cheers.

right cheers for that, sounds ideal.

Cheers - bassically - i dont work much with midi - i tend to use it just for putting togeather song arrangments. But im looking for a grand piano sound that can be used in my final recordings, i dont have space for a real piano, and my piano playing likes the editing!

Is there anywere i can download a deacent piano sound? cheers.

right cheers for that, yer i dont tend to do much DI work on my guitar, i tend to mic and use the line out on the amp, but obviously both are wet signals, and are suprisingly different! But now im thinking id like to have a dry signal aswell incase.

Is there/ what is the best way to record my signal wet and dry at the same time - as in - say im recording guitar, and i want to use the overdrive on my amp on it, but would also like to record a clean signal to blend in, or incase the overdrive isnt great in the mix. Whats the best way to go...

id love to hear that in action, i didnt ever know fender made mixers, but im a hudge fan of the tone of there amps, and instruments, so if its anything to go by, i want one!!

Think about mobile phones - i know asking people to turn them off is a problem - but you dont want somone to be on the take of a life time and have a phone ring or cause interference.

Im only 17 and fairly new , been recording seriously for about a year, my first real project was a solo 4 track e.p last spring, i still love it even thou ive come a long way since then. Ive played guitar seriously for about 3 years now - currently working on grade 7, and have reacently taken up...

I never used the C4s - but i do find the 414 brings a smooth, warm sound to my guitar (takamine) - and others, but that one especially.

yer i love it too, wish i could afford one of my own! (student here!) I really like it on A.Guitar and Vox, its them mic i would tend to grab for.

well it all depends on what standard of recording your looking for - sure - there not the best! - but i still belive you can put togeather some 'o.k' recordings with them if you know what your doing, or take the time to learn. I used to use very similar setup - and i have made recordings people...

right chhers - i was def. more in favor of the AT so thats all good. Guitar i mainly record on is a nice Takamine and vocals do what the do wellish, room for improvment for sure thou.

Im looking into buying a 'nice' new mic for A.Guitar and Vox. Im thinking either the Joe Meek 47 or AT 4040. Ive not used the AT but hear good things, and have used a old JM 47 and been impressed. Anyone add to that for me? Cheers