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well if your going for a rode looks like your in luck ... sounds like saxman has the NT2 and im currently using the NT1 so seems only fair we give you a run on each... not a sales pitch by the way!!! Well i havent used the NT2 so the NT1 is a very impressive mic , but im sure if i used other...

i believe the homerecording site has a bookshop .. im sure they would stock some great material.. Its the site that probly led u here ... dunno maybe ... but they should have something in that genre... a bunker eh?? gone be some explosive sessions then eh..

does this mean my ISIS breakout box which has S/PDIF can be hooked up to an adat?? and transmit blocks of eight tracks back and forth?? this is something ive never used , it comes with optical (?) and coaxial (?) ... and honestly i wouldnt know where i could start using them ... Well from what...

hi all , rather simple question, ive just never asked the question .. Is it best to try and get a loud take on tape?? I mean should u (obviously to an extent) try and record as hot a signal as you can for the sake that u have that volume there but it can be turned down?? i usually aim for 0db...

cheers emeric , i spose when you went through what i did with a very similar problem your oh so happy to help someone else in the situation , cos really emeric imagine this .. youve just recorded an awsome drum take , eight tracks in total and it sounded choice .. on playback your devastated...

when we're talking about virtual tracks , is this like alchuck said , the ability to recall (well i there not really tracks) audio files??? I hope i havent got this all arse about , if i have can someone explain please? If its what i think , then isnt this the audio window in logic and cubase...

hi all , well i dont know if any one remembers reading my post on this subject .. well today was the big day and im absolutely ecstatic about the results.. (mmm , ecstatic!) I know how many people , myself included (hey i was stuck with this one place to put the booth) thought this wouldnt work...

someone surely knows something about the possiblity of hooking up a remote in this way?? The options under 'options' , kinda ironic that eh... When u open it it has on/off option , (doesnt do anything for me anyway), remote active ...then theres a heap of commands so to speak .. things like play...

i remember before i could afford a mic that requires phantom , i use to hear a lot of things about when not to turn phantom on and off ... i dont remember exactly what these precautions were , but just as an example something like , never turn phantom power on or off with the gain of a condenser...

well i have my notebook (what im using now) networked to my DAW and its so handy having this option.. I dont recomend using it as a storage medium (the second pc i mean) for the daw as all audio files being used should be on a local harddrive ... well thats just from my experiences with trying...

yeah i see what you mean track rat... there must be a million ways to hook things up .... So even though an insert point is basically a send and a return , the fact this return is not being fed back into doesnt matter then?? What i was wondering about trackrat is if u use the insert point of a...

always glad to be of service , not a problem at all.. But thats weird about the latency issue , dont u think? Cos im using the exact same setup as u yet i run it with ISIS asio drivers and the latency is about what yours was before.. But hey as long as its working then i spose it doesnt matter ...

whats this? Well to me it looks as if i can control certain functions from my midi keyboard?? How does this all work? What i mainly would want it for is to have a keyboard in the studio so i can operate simple functions like play and record... cheers all.... spider

well i spose their lack of technicality can be apreciated, if you compare it to being pushed around by a 17 year old car salesman who insists it has "six inch quarter balaster tail pipe cooling arse licking guttrenching supercharged illripuoffifyournotcarefuls thingys'!!"..... havent experienced...

Wouldnt this be eliminating the endless (seemingly anyway) possibilties of providing at least even monitoring mixes from the original recording , eg. busses , sends ...... eq. !!! Just wondered if that was what you meant.....

i havent seen the spirit , but i presume it has at least a couple of stereo channels... Route the out from your soundcard to this stereo input. I dont know if it has any busses on that desk , if it does then choose a stereo channel with a routing button to busses 1+2 or 3+4 , whatever the case...

sounds like a monitoring problem. Just make sure the outs from your soundcard arent being fed back into the computer , cos as mentioned before this will create a nasty loop, thus feedback. I use a stereo channel to monitor from the computer , so from the outs of the soundcard into a stereo...

well as i only recently discovered , latency is more the delay between when u push a fader up on the monitor view and when u hear the change.. Mines at about 94 , so that all sounds good .. ISIS has some asio drivers , try to use them if u can (just under system , up the top on the right). But...

have you tried recording in any other type of multitracking software? How many tracks are you trying to record? I have the ISIS card too and had audio sync probs when starting out and turned out to be so simple , just that DMA wasnt activated, buss master i believe it known as in the pute...

could it have something to do with a new session being created each time you add a song...? Like dragonworks was saying, have u tried burning them all at once? Try that and if it fixes it then i think that'll be the problem..im using adaptec and have no probs at all, then again ill burn clients...