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couldnt resist picking up one of these..... http://www.line6.com/pocketpod/index.html it actually sounds pretty darn good, and oh so portable!!!

neh, i have two of those mics. the only use i have found for them are talkback mics.... thanks for the input though....

just wondering if anyone has any input as far as the audio portion of this project i am undertaking.. my plan i have a canon hv20 HD camcorder, with 1/8" mini mic input, for the video side. i will also have a beachtek box to give me two xlr inputs with phantom power to the camcorder. my plan is...

i usually boost a bit around 3-4k and 100hz. some light compression about 2:1. sometimes i will sidechain a compressor triggered by the kick. this allows the bass to be a bit louder in the mix, but the bass drum can still punch through. seriously though, ymmv. i must say, it has been MUCH...

why would you intentionally put a virus (windows) on your computer? ;)

keep in mind i am looking for quick and easy. i dont want to have to hunt down a rack of amps, then try and convince the FOH engineer to let me start plugging and unplugging in his rack. read the link i posted above. looks like it should work without any issues...

i think i found my answer. according to this the RMS di should work just fine... http://www.tkk.fi/Misc/Electronics/circuits/speaker_to_line.html

my application: i am a drummer. i play live with a click. i have a small mixer that i want to use to blend my monitor feed and click signal; which will then be monitored with my wired in ears. i want to make it streamline and quick to do so as setup time is limited. my idea: to take a parallel...

arent ns10's technically "home stereo speakers"?

i have a j-41 and an omc 16e koa. love both guitars. a good blend of tones to have. the j-41 has huge full tone, the omc is brighter...

thanks for all the info. looking forward to modding this puppy a bit.

i picked up an affinity squire tele for real cheap. it isnt a bad guitar, but the pups are definately lacking in output. would like some recomendations on some decent pups to retrofit this puppy... has a single coil in the bridge, and lipstick in the neck...

if a band asks for a "rough mix" right after the session, i usually ask them for their email address and tell them i will send them mp3's in the morning. ;)

me too, but the weather is sooo unpredictable....

start investing in some nice preamps. these add some bling to your racks, not to mention your recordings too. dont waste money with stuff that you will not use. a rack full of nice pres is definately not money wasted...

seriously though, it is the same scaling, you should be ok. just keep an eye on the neck so it doesnt start warping...

dont forget to use a poop filter....

get yourself a big juicy hunk of beef. then, solo your drum tracks and assign them to an output of your interface. take a 1/4" out (2 if you want stereo) and plug it deep into the beef. take another 1/4" (again 2 if stereo) and run it back to your interface and record the result. the level of...

i am pretty sure it is commonly known as "recording arts". this is the whole enchalada though, i dont think there is a degree in just "mixing"... it is pretty important to understand the whole process, and not just mixing. many colleges have courses for this like MTSU, but there are also...

which way is the sarcasm sliding?