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Tomcat...(or anyone...)... Sorry to respond to such an old (but great, nonetheless) thread...but...using the RNC as a brick wall (which I need to do for my very next recording session) w/ those settings...w/ a fast attack time...doesn't a fast attack produce a flatter peak? So...(if that's...

you know...??? some of you guys were right...I hadn't done my homework. (Well...at least I'm humble enough to admit it, for once). So here's what I should have made more clear...what I need as outputs. Didn't realize this 'till I was looking at the Mackie 2480 & the 24-4...whereby the major...

wow... thanks...!!! Forgot to come back (& when I did...I found these wonderful solutions). Yes...I did use a pop filter...a pretty sophisticated one to boot (2 nylon layers)...on my most recent location recording gig...in front of an AT 4050. AND...this particular vocalist (who hissed the...

Hello again... I know it's part of the job (on a primary mix), but I really get tired of dipping the T's & P's & S's out of a track by drawing variations on automation envelopes. & sometimes you hit the nail on the head; & sometimes you don't, which sometimes requires sliding the nodes to &...

Tell me where I ever said that, Dani. I mentioned that I felt it made musicians perhaps feel like they’re getting their money’s worth. Besides...if you do want to talk quality vis-a-vis size...look at all the famous studios from the 60's...they're all huge. Ray Charles jumped Atlantic & went...

MessianicDreams... Thanks very much for all that...very informative & very much appreciated. To tell the truth...I had some semblance of an idea as to what the wall quilts would trap...along w/ the aesthetic consideration; & perhaps corner traps for bass. But you're right...it should be...

Thanks, Stealth_Prod MF

Live Please do not condescend toward me...my first (research) step is to come here & tap into the practical experience of the members. I've given everything anyone needs to go on...audio interface quality...DAW integration type...maximum # of channels needed...size of room...the fact that I'm...

Hello again... I'm finally there...& now plan on creating a Recording Studio by increasing the size of my garage (presently 14' X 22'')...knocking down one wall & opening it up into a 25' X 22' space [primarily because I would be embarrassed asking clients to record in a 14' X 22' room...don't...

thanks freud... Forgot all about the Echo Console (to be honest...I actually lent my Layla 24/96 to my lead guitarist, for his project studio...& this is all happening on his machine.) I'll let him know...thanks again. MF

Hello... All of a sudden all of the audio applications on my PC (SONAR, WaveLab, Windows Media Player...everything) are playing files at a very slow speed (sounds like they're playing at approximately 1/2 the normal speed.) I understand this is probably a sample rate thing, but does anyone...

I'm not confusing anything w/ anything, Freudian. There is no such thing as bit depth as it relates to the drivers...except in the sense that the driver command codes are structured to accept a DAW ouput of a given resolution. My question was asking if the Layla 24/96 accepted 32-Bit at the...

Hello... My old (not really old, but older) Layla 24/96 is being used in a secondary workstation for mastering, primarily to recapture stereo mixes from my primary workstation, post processing. My primary workstation is set up with a Lynx Aurora 8 / AES16 combo...which I recently learned has...

Lynx users (anybody)... Getting ready to record my second album; & SONAR & Lynx don't seem to want to play nice together anymore. Doesn't matter if I'm running v2XL or SONAR5...it's dropping out...really quickly...in some cases with only four (4) 16-Bit audio tracks running !!! (Something...

http://www.moonjams.com/musiclinks1.htm [this of course from the settings in the screenshot] BTW -If anybody has trouble w/ the .wav's...I'll post streaming .wma's mark4man

What's stumping me is...&...I certainly do not mean to challenge your expertise in any way (as you're already 3, 4 light years ahead of me anyway)...but why would you continue to assume that because the curve has two slopes, one means compression & one means expansion ??? Curves always have (at...

Hello again, all... SouthSide... Just to get back to original question for a moment (& at least hopefully solve that side of the thread)...a friend of mine from Recording Institute of Detroit tells me that it's a 1:1.21 ratio, -16.6dB threshold expander. He agreed w/me that ratio is basically...

well... This may prove to be a fruitless venture anyway. I took the numbers from my favorite 4 band settings on the MultiComp...figured out my thresholds & ratios [based on my above logic...(if you could call it that)]...plugged them into the Precision Multiband; & A/B'd them on one of the...

[posted prior to my reading your update...but still on the beam, I think]: no...because all numbers here are in the negative; & these are all truly expansion curves. Look at the scales. The input scale runs 0 to -90, right to left. The output scale runs 0 to -90, bottom to top. Just like I...

wait a minute... looking again at the display...the input value (-16.6dB) & output value (-1.2dB) are unified at the node (breakpoint.) In other words...-16.6dB input is at the exact same location on the display as -1.2dB output. Yet your saying that this breakpoint IS the threshold. I can't...