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Hi Harvey.. I'm fairly new here.. I've been reading for years, but just started posting a few things here and their.. at any rate.. I just read your bio, and WOW! What an impressive resume.. So #1, I wanted to tell you how much I for one appreciate that someone of your status makes themselves...

Personally, I would take the AT over the marshals any day.. In my experience (going from marshall mics to an AT3035) There is no competition.. not that there couldn't be given your voice and applications of course, but for me I would think in most cases the AT would be a better mic.. truth of...

According to CNN it just came out Monday the 15th. http://www.cnn.com/2009/TECH/06/15/hunch.online.decisions/index.html?iref=newssearch agreed on the answer though.. the results were poor.. I posed the question "which mic should I buy?" supposedly the answers will become more accurate as...

I can't comment much here being an amature myself, but I will suggest some monitors.. On that budget I'm guessing your mixing environment is probably not %100 accoustically optimized.. Mine is far from it and I have the JBL LSR series monitors with "Room Mode Correction". I absolutely LOVE...

So hunch.com just came out yesterday and is a site that helps people to make decisions based on a serious of questions it asks about the decision you're trying to make. The site uses input from it's members to arrive at these decisions based on popular answers provided from others making the...

Personally I think that there is no reason to go without a shock mount.. sure there are times that you can get away with it.. but why even worry about it to that extent.. you're far better off just getting one so you don't have to worry about it ever.. AT makes a good cheap shock mount that is...

I've heard that quite a bit about the MA sounding much like the 67.. I have to say the MA is an impressive mic.. it really makes life much easier for me in the mix and eliminates a lot of the old more extreme eq curves I used to use on vocalists. I would highly recommend this mic to anyone, it's...

That's a USB hub with a gooseneck light.. these are primarily for use with lap tops.. there are quite a few designed with red led's though I can't imagine them being very helpful.. but that's surely what that is if you ask me.

I haven't had much experience with Blue mics with only one exception.. The bluebird.. I have to say that this mic was absolutely horrible for male vocals.. just horrible.. I should have done my homework first, and I would have easily found many other mics from blue and from other companies far...

Thanks very much for all of the advice.. I have decided to get a U87. I've had the sm7 and sm57 on my list as well, I will at least be picking up a couple 57's also. Thanks to everyone who provided feedback.. I'll let you all know how it turns out!

Hey, thanks very much, I will check that thread out. I hear ya about testing them out.. I was going to go to sweetwater and use their demo room to a to b some mics but the mics I'm wanting to test are special order only, so that wouldn't work.. I do have an instructor that I'm doing PT course...

Thanks for the feedback.. I would absolutely agree with what your saying here with only one exception that I just can't seem to apply that with my own vocal takes.. I get great results with the MA on everyone else with appropriate EQ techniques.. I think that it just does not pair well with my...

up for feedback..

Anyone have experience with this pair? I'm in love with the MA200 for vocals on everyone but myself.. the others I record have deeper voices tha me is the only conclusion I'm able to draw.. my question is where is the fix here? I know trying it out is the best way, but I don't have that...