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Jimmy is a great guy isnt he...(If only his personality and generosity match his PC :P lol)

PathChub, put together a great Mix. Only thing the snare is sorta ringing Proly was going for that sound tho. tnrocks, put another very solid, solid mix together like what you did with the vocals sound like you put some type of cool fx on the vocal to really bring that gritty feel was that a...

Best way for us to help you is to post a sound file of the audio here so we can hear it, the best place to post it would be the MP3 Clinic as well but you post it here you will get some feed back. #1 thing is its all about what the track needs and how you want it to sound as the Artist (yes I...

You sure are right Bobbsy didn't think of that good eye, good eye! They dumped Windows in 09' cause the said Mac's were better (cough!!, cough!! Jimmy!) :p

Lol, Tuned PC is like a Tuned Ford Taurus. lol

Might wanna go to the MP3 workshop you wil get better results...But the mix sounds nice it is ringing tho I would check EQ round 2-3K. Good mix tho

Now of course the needs of the OP having the best suited interface for the job I/O, recording playback is 1st and foremost. I have heard/recored and used alot of low end gear in various studio's project & professional. I heard a focusrite scarlet, saffire and also the 40. I used a Duet since...

:laughings: ..HAHAH i was wondering what happened cause right while I was in the middle of editing it, it changed.

Yep! Thats it you got Wrenchy. Ways to create Parallel Comp... 1.) Send part of the level to aux (as you mentioned) 2.) Just duplicate or copy the same signal and add FX's to the duplicated signal For the record I don't side-chain audio or have a signal control another signal. Just never made...

After you read that the #1 thing about compression BEFORE you grab a compressor is, What do you want your audio to do or what do you want it to sound like? Dont just grab a compressor cause you think it belongs in the chain use one cause you NEED one. You will find more often that you will proly...

Yea, in Pro Tools...Lead Mono to Stereo Aux/Bus (panned L&R) where I apply my EQ, Comp, fx on the Aux/Bus. That Aux/Bus goes to an ALL VOCALS Aux/Bus (to control all vocals) and then to Mix Bus. boulder do you just keep you Lead Mono track no bussing?

You compress the input of a reverb so you place eq then comp then your reverb on the aux?

Jimmy, lol I sense you have some thoughts about mac lol

This is SO true, even tho mixing into a comp is standard practice for more experienced eng its not the best approach for beginners and... no not just cuz your beginners its because you dont know the sound and accustom to it. In the studio I mix into an API 2500 or sometimes the Chandler Ltd...

close your eyes and click on iTunes

Like for instance back ground vocals. Me I send my mono lead to a lead bus apply my effects, back ground vocals the same If I have multiple harmonies I pan L&R doubles straight down the center. (been doin it this way for years, same as boulder, i never touch panning on a bus.). I ask the...

Boulder kinda gets what Im asking. So your philosophy boulder is the mono pan mimic whats sent to the Bus so you dont even adjust the pans on a bus you leave them HL&HR. If you want to adjust panning you go to that specific mono track.

Vocals or drums sorry typo

A mono pan and a stereo pan, yeah the signal on the mono pan say (15% to the right) would still be the same if bused but not if the bus pan's are different.

Got tired of depending on other people to teach me