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...a stereo pair of bazooms? :p

60-cycle hum or 60-second hummer... whatever works.

Cookie Monster... don't you mean Oscar the Grouch? I thought he was the one with the growly voice.

This shows how simple it can be... http://cgi.ebay.com/THE-SWINGING-SINGING-DEL-VIKINGS-RECORD-SESSION_W0QQitemZ220071174885QQihZ012QQcategoryZ306QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

Have you used the "freeze" function for your MIDI tracks? I'm betting this works...

For the record, Geoff Emerick wasn't involved on 'Help' or 'Rubber Soul', his involvement began with 'Revolver'.

Some advice, which I have learned myself the hard way... if all of the elements of your mix sound balanced with one another, but the whole sounds muddy, go back to the mixer window and drop the level of each and every track by an identical small amount (about -.5dB) and re-export the stereo...

Sting also played the role of Feyd Rautha in "Dune"...

Ya think? It's been almost two years since they went belly-up. And the hell of it is, I keep seeing this forlorn looking Aardvark unit sitting in the discounted bin at a local *big name* retail music store. I wonder if they're telling folks about this fact? Hmmmm...

There's some threads going around right now at the SONAR forum and on the PSW forum, about drummers and click tracks... what's with all this "click track" thing anyway? I've gone years without the subject coming up and now click track threads are everywhere! Is it a sign of the coming apocalypse?

BTW, in case anybody's interested in what constituted "duophonic" processing: http://en.wikipedia.org/wiki/Duophonic

"Taste of Honey" was a very early EMI recording, when they were using two-track tape. In this time frame, the band typically recorded the backing instrumentals together as a band, "live" as it were, to one of the tracks. The other track was used for the vocals. Any overdubs involved a...

Check out the Summer issue of 'Computer Music' magazine... there's a free, no-strings-attached LE version of Samplitude available on the included DVD-ROM.

... what's next, "Best Mic Around $175 but not over $180"? I know what it's like to live on a budget, but jeez... wait a month or two and save up. Get something decent for crying out loud. You know, that costs $190 or so.

$325 plus tax. It didn't have the original case, so they threw in a Samson case and I trimmed the foam for a good fit. They said the guy who traded it in used to work for Fostex back in the day and got this one when it came out (about 1975). The mic looked like it had never been used, like...

Just to follow up... I bought the mic. It sounds downright bitch'en on a guitar cab. I just finished recording a song with about four or five guitar parts, all recorded through the M88RP and it beats anything I've recorded before with dynamics or condensers all to hell, for electric guitars at...

So when did Groove Tube microphones become 'Sterling Audio'? I see where Guitar Sinner is plugging them big-time...

It's made in the good-old USA... nuff said!

Is there a market for Aardvark products nowadays... I mean, they are out of business aren't they? I realize that your card might (or might not) work for someone right at this moment, but driver development is essentially frozen in time, there won't be any way to use with 64 bit OS, etc. and...

Hmmmm...I use the E-MU 1616m, and I can't say that PatchMix has shown me any negatives. It just does what it's supposed to do. What were your problems, specifically? I think the E-MU cards are hard to beat, value/performance for the money.