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And that's the joy of asking for peoples opinions... each to their own :D Peace Noisedude :cool:

The UAD cards only run their own built in fx or special ones that you buy seperately (all of which are great!). You wouldn't be able to run say a waves plugin from the UAD card... it don't work that way. Why do you want to run so many plugins?? Ever heard of 'sends'??? :p Both the TC...

Tampa way ahead of behringer... easy! I'd say Tampa or Focusrite Trackmaster if you want full rack (the compression and eq parts atr also great!) or DMP3.

Tiny box room as control room... upstairs landing for vocal and Acoustic guitar recording!!! :eek: Made up some free standing acoustic panels and it actually sounds great!!!... :cool: seriously, better than my old much larger room. :D

I've not used tracktion... but in cubase you solo the drum track and 'mixdown'. Then import the drum audio back into the project. Probably won't help but at least I tried. :o

Good suggestion... I forgot to say that! ;)

If this is most noticble after compression (as I expect) try running it through an expander first, just to bring down the ambient noise. It sounds much more natural than a gate but should do the trick.

DI can have some good results - very clean and clear. But if you wanna get dirty mic the cab. Far nicer tone in my opinion.

Sounds like I've got a bargain then! :D ... now, if only I could get my hands on that Neumann... :rolleyes: Anyone on here fancy a game?! :p :p

8 ball all the way!!! Like Paul f**king Newman!!!! :cool: :cool: I see... I took off the (c) and they seem pretty popular in the search. I was hoping to use it on acoustic guitar and electric cab micing... better get experimenting with the new toy! :D Cheers man... made my day! ;)

Anyone heard of... can tell em anything about this mic??? :confused: I got one yesterday by beating a friend at pool! :cool: He never used it anyway!!! :p

I used the original collection for a while at uni and found them very useful. They definately have a sound that that is its own. I mean, not transparent and clynical but more organic and earthier. If your into pop/soul then I'm not too sure but if you crave 'that' sound from early records this...

I too am very keen on getting my hands on a control surface for minimal cash. Anyone with recommendations would be great. :D (USB For me though... no firewire port!)

My 2c... Make sure the verb/echo doesn't fill in too much low-mid frequencies that muddy mixes. I also take of the really high end eq to save it sounding too unnatural. (Something to be careful of if you use cheap pres as they tend to build up very quickly) Maybe think about using a stereo...

I found mine for £70 and a 40 mile drive from some fella who had no idea how nice it was. :eek: :p :D :cool: They are around but before you hunt one down you'd better know what it sounds like! It can sound beautifully mellow and warm. The bass too is rich. You can use pretty much anything...

yup! That's how I do things. I have compression on my Preamp so on the rare occasions that I need it on the way in I can, but mainly it's straight in. Then run out to the sends.

woow big question. One thing to bare in mind with the Juno is that it doesn't have midi... at all... not a bit! The sounds are flexible but hard to get your mitts on. I hunted for months to find this beauty. May be easier / cheaper to go the soft synth route. Some are simply breathtaking now...

Boards of Canada style worbles and drones for dance companies mainly. Although it was great for adding a unique sound on a cover of Velvet Undergrounds 'Sunday Morning'... it sounded messed up! :cool:

JUNO6 - it's wood for F**ks sake! Now that's classy!!! :cool:

On a budget... MG all the way!