Search results

My Son in Texas on drums and piano, my friend Tim Brewer on vocals and I clean up

I have all of these. In a live setting, the Strat. It covers a lot of tonal ground and IT STAYS IN TUNE. In all fairness, the 335 stays in tune but thats mine

P Bass for sure. That and the Rick and now a Yamaha BB300. It's a P Bass but the pickups are reversed

Mass/ geometry matters. And a MASSIVE point of diminishing returns. What matters. Mass, a more resonate base structure and more than anything pickups

Dayum. That is so good

I gigged live thru one for years. It wen't to the PA/monitors and everyone was happy. Still have a couple.

Still doing 44.1/24

i like em. Not the Holy Grail of dynamic mics but I like it. I Like an MD-441 better on vocals, especially in a band context

Repeatability and tweaking on request is where I get screwed

I run a hybrid thru an old M-3500

It can only help. I use gig bags, moving blankets, whatever's handy. Everything helps

Nice.

This is me this weekend at an arena in St Charles recording

I track with individual mic preamps to an Alesis HD24, then later transfer that to Reaper/computer for editing. Then playback thru a MOTU 828es, then back out thru the HD24 to a Tascam M-3500 for mixing. I can use plugins and hardware side by side in real time. Pretty cool.

Five total

My Hammond/Leslie

Now acoustic guitars.........money counts

I got lots of guitars. I think of them as "colors". Two things here. I have a few custom shop guitars and most of the other ones ain't cheap. Just because I like em. With that said most of the guitars I lean on for gigging and recording are at the mid point. My number one is an old Schecter PT...

A 441 many times. I'd love to try one