
TheTruth_Mikeyd
New member
It all boils down to using a reference cd for your type of music your mixing....after that you can mix in anything anywhere
The workaround, is to not rely on one set of monitoring device. Learn what you are using tells you. There is no right or wrong when you find what works for you. That being said, the advice in this thread was based on the question of whether headphone mixing is doable. The answer is yes. Advisable on its own, no.
Which 2? There are 6.These two sentences sum up all the best advice in 5 pages of posting!
Which 2? There are 6.
G
A 2 is sort of an upside down, backwards 5 and I live in Australia.
(This answer makes no sense at all but if I post it fast enough maybe nobody will notice.)
that sucks! And I'm assuming there aren't enough Australian companies making this kind of stuff?Yes Folks, the mark up in Australia is WAY beyond wholesale + transport cost + reasonable profit.
Just come down our way & try to buy a Blues Jr or any 1-5 watt valve amp for less thatn $500!
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A few opened, but then they ended up going Under.I'm assuming there aren't enough Australian companies making this kind of stuff?
niceA few opened, but then they ended up going Under.![]()
Yes Folks, the mark up in Australia is WAY beyond wholesale + transport cost + reasonable profit.
Just come down our way & try to buy a Blues Jr or any 1-5 watt valve amp for less thatn $500!
I started with an old stereo aided by h/phones for detail listening. I moved to better h/phones and the same stereo (because I knew it in the space quite wel by then). It's only in the last 3 years that I've had "real" near field monitors, (& cheaper ones at that), BUT the difference is remarkable (after I learnt to read them in the room that is) and whilst I still use h/phones for some detailed listening I now am able to do so much more on the near fields that I feel I'm mixing better.
A few opened, but then they ended up going Under.![]()