
grimtraveller
If only for a moment.....
The man from Del Monte, He say yes !!
I wasn't addressing the OP, I was addressing the post that I quoted. The OP already got the correct answer...That's what the monitors he bought actually sound like. What's truely retarded is when someone is told that they are being condecending for confirming that the monitors that the OP thought were muddy sounding are, in fact, muddy sounding.This is about as retarded as it gets! No where in the ops post did he ask why he didn't get the results the big guys get. He just asked a simple question about some new monitors he just bought. Then you vommit out some dribble about 4x6 glass room and speakers stacked on top of each other..blah...blah...blah!
Is it because you aren't a professional that you feel you can litter the forum with your unhelpful posts?IF you are actually a professional, why don't you try to give helpful answers instead of blowing air out your ass. Your answer served no purpose other than to stroke your own ego. Let's have a show of hands, who's impressed!!
he'll be back ..... they always come back!another angry beginner quitting before he/she even starts
![]()
there, ............... people misunderstand the term "studio monitor".NS10's didn't become so popular because they actually sounded good... They sounded like crap before Yamaha put the "STUDIO MONITOR" stickers on them and they continued to sound like crap. But they consistently sounded like crap in just about any room you'd stick them in. Then for 10 years, all the "newbs" are wondering why they're not getting "pro" results through these speakers that "all the pros use" -- They weren't using them as mains. They were checking their mixes on the "small, crappy speakers."
It's not condescending to suggest that people not rely on such speakers. I understand there are budgets. I'm suggesting an alternate approach.
Well.....mud basically. No wait, mud in a box would be more accurate. Honestly guys, the bottom and mid ranges are awful on these. Where is the tight bass and open and detailed top end i've read about? They're anything but clear. The mud and rumbling bass just gets worse as i turn them up. I've been through my entire CD collection in search of something that sounds ok, Strokes, Interpol, AC/DC, Pink Floyd, Crowded House, Pixies etc...all types of stuff and everthing just sounds so boxed in and muddy.
Granted if i lift them to above head height it's marginally better as the drivers become more aligned with my ears. But for £300 set of speakers i feel gutted.
I don't think there is a problem with them, all the frequencies are there, just in the wrong proportions.
My only question would be, do these take a while to run in? That's the only reason i can think of why they sound so poor.
Very disappointed.![]()
And a hearty "Ah 'gree, soljah !" to that. While the delivery of some statements makes one's toes curl and can seem heartless, for the most part I'm glad they're there because in a way, it's as close to democracy as we're likely to see !No need to get insulted about it ..... it's just information. If your budget or ears aren't ready to go that high up, then just note his thoughts (because you'll eventually find it applicable ) and move on to more newbie appropriate info.
I think it's great to have all levels of information available.
I agree ...... I don't need any up and coming competition.they should shoot pros when they are amateurs![]()
TS or TRS shouldn't matter. The input, output or cable are neither balanced or unbalanced, the signal is. If the toneport is outputing an unbalanced signal, it doesn't matter what kind of cable you use, it will still be unbalanced.
RCA and TS can only pass an unbalanced signal
XLR, TRS can pass a balanced signal, an unbalanced signal or two unbalanced signals.
he'll be back ..... they always come back!
Never said I'd quit, just signed off for the night.
Lemme axe a question. What is the focus of this forum? Is it how to build a professional studio in your home, or how the average Joe (like me) can make the most of what they have for recording at home?
I'd love tips from the pros to help me make the best recording I can with what I have. But telling me your stuff's shit, and you need this, this, this and this or else don't bother aint helpful.
Do I expect pro results, no. If I want that I'll go to a studio, I mean the person behind the console is really 99% of the result, a great engineer can make great results with shit equipment, a shit engineer can do the opposite.
I would like, however, to make the most of what I have.
This is a good forum. The only thing is that it's mostly populated by assholes, not pricks like me!
:
Never said I'd quit, just signed off for the night.
Lemme axe a question. What is the focus of this forum? Is it how to build a professional studio in your home, or how the average Joe (like me) can make the most of what they have for recording at home?
I'd love tips from the pros to help me make the best recording I can with what I have. But telling me your stuff's shit, and you need this, this, this and this or else don't bother aint helpful.
Do I expect pro results, no. If I want that I'll go to a studio, I mean the person behind the console is really 99% of the result, a great engineer can make great results with shit equipment, a shit engineer can do the opposite.
I would like, however, to make the most of what I have.