As previously stated, this thread is simply an invite for guys like me (who write and record their own music for personal enjoyment) to share their best work with likeminded friends. If that description doesn't relate to you, then, well, see ya!
If it does... then let's hear your very bestest.
Mshilarious - Nice piece. What guitar rig were you using (axe / FX / amp)?
Two guitars (and a bass). The bass is an Epi Viola, tuned to "octave cello" (CGDA). I have since retuned to standard, because after a couple of years octave cello was hurting my head

Although the nice thing about an unfamiliar tuning is I can just play notes without worrying about what they are. Very refreshing, music just becomes sounds again.
But I think that bass part was just low Eb - Db, very loosely inspired by Chris Squire's part on "City of Love".
I have two guits, the first solo was an Epi Airscreamer and the second was the infamous Fender So-Cal featuring Brian Wilson Presents Smile sticker. I forget which I used for the rhythm part, but I think it was probably the So-Cal.
All guitars/bass were through one my of DIs into an ART Digital MPA (which has its own DI of course, but it's more convenient for me to use my own, and I don't use the MPA anymore anyway). I don't have the session files laying around at the moment, but the bass was into a UAD 1176LN and that was probably it. The guitars would have been more involved, usually I use UAD Nigel followed by the UAD Space Echo just for the spring reverb and sometimes the echo and maybe even the UAD Plate 140. Maybe a Pultec too, can't remember. The former guitar part would have mainly been Nigel, but the second solo has the full reverbatory treatment

Percussion would have had Plate 140 and not much else I can remember.
This was a Rumble! track that I cut, so it would have been posted as just percussion/bass/rhythm guitar and then people added their own solos. Although I think this Rumble! only attracted two people

The backing track, of course, was my very loose tribute to the title track from Pet Sounds

Obviously I thought Carol Kaye played way too many different notes (I get easily confused), so I replaced them all with Squire's more tasteful two
