Recording with more than 1 mic and PHASE...

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FatMasteringCom

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My advice for new engineers making home recordings is to learn about phase and phase correction. With the loudness wars going, a good way to have a punchy loud recording before you even get to the mastering stage is to really check carefully the phase on all microphones during the recording and align them perfectly on the Digital Audio multi-track software you're using so that there are no (or hardly any) frequencies cancelling eachother out.

When the phase is not aligned properly, it really hurts the bass, the recording sounds thin.

But taking careful care of the phase during the recording process will put you ahead of other recordings in terms of punchyness and loudness so you wont need that much compression in the mastering process to be as loud as everone else.

Also, try to use a multi-band compressor in the mastering process rather than a traditional one. That way you can use different levels of compression for each frequency range and avoid that "pumping" effect and retain as much dynamics as possible.
 
Audition and Hair Ball, eh? And where's all the album mastering procedures?

I'll wait for it; let someone else take point on that stuff for a change.........

But I will say that if you time-align two tracks recording two different sources in order to try to reduce bleed phase problems, your source will be mis-aligned and things will be worse.

G.
 
I would suggest losing the Google Ads on your homepage--your competitors' ads are appearing on your front page. $0.25 for a click-through ain't worth losing a client . . .
 
who uses "mastering reverb"?

and why is mixing 10 times the price of mastering?
 
My advice for new engineers making home recordings is to learn about phase and phase correction.
Good advice. The rest of it so so...specially the mbc comment and the spamming:o. Welcome to the BBS.
 
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