Passive Volume Knob!!!!

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Yes. The resistors are just added to keep the level from going down to zero.
 
Yes. The resistors are just added to keep the level from going down to zero.

Do you know of a pot that would be able to run both channels with 1 knob?
The article says to use a 10k log pot is there anything else that would be better?
 
Do you know of a pot that would be able to run both channels with 1 knob?
The article says to use a 10k log pot is there anything else that would be better?

Yes, use a dual pot. You want a log taper for volume, but as for the value it depends on your application. 10K is just right for line-level, but too low for a guitar and too high for a speaker. Also, this pad will have variable (and thus potentially high) output impedance, so ideally you want it on the downstream side of the signal chain.

You can do a constant-impedance control with two pots per channel; that's a dual pot for mono and a quad pot (very hard to find) for stereo. But unless that is important, I wouldn't worry about it.
 
Yes, use a dual pot. You want a log taper for volume, but as for the value it depends on your application. 10K is just right for line-level, but too low for a guitar and too high for a speaker. Also, this pad will have variable (and thus potentially high) output impedance, so ideally you want it on the downstream side of the signal chain.

You can do a constant-impedance control with two pots per channel; that's a dual pot for mono and a quad pot (very hard to find) for stereo. But unless that is important, I wouldn't worry about it.

Ok dont want to sound redundant....
10k long pot
I want a quad for stereo or dual for 2 mono
and I can wire this directly from and to the 1/4" jacks with nothing else needed.
 
Ok dont want to sound redundant....
10k long pot
I want a quad for stereo or dual for 2 mono
and I can wire this directly from and to the 1/4" jacks with nothing else needed.

No, dual for stereo, unless you have a special case. A speaker attenuator would be a good example. If this is a line-level volume control, it's not necessary in most circumstances.
 
No, dual for stereo, unless you have a special case. A speaker attenuator would be a good example. If this is a line-level volume control, it's not necessary in most circumstances.

Ok so a dual is for stereo? Should which would you use? 2 Pots for right and left channel or 1 dual pot? And yes this is a line level signal. It is to control the levels of my powered monitors from my echo layla which has no hardware attenuator or volume besides a headphones out.
 
Ok so a dual is for stereo? Should which would you use? 2 Pots for right and left channel or 1 dual pot? And yes this is a line level signal. It is to control the levels of my powered monitors from my echo layla which has no hardware attenuator or volume besides a headphones out.

Separate pots for stereo gets annoying. Besides, you want to calibrate your monitors and leave them. I would go dual pot, but what I actually do for myself is set -14dBFS RMS = 85dBSPL and use my software fader. Yes, that means I am sacrificing dynamic range due to D/A converter noise, but it doesn't matter since that noise lives at -13dBSPL.
 
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