N
NYMorningstar
Recording Modus Operandi
I'm not at home at the moment so I'll take a listen to yours and Fishmeds later tonight or tomorrow if I run outta time today.
I'm not at home at the moment so I'll take a listen to yours and Fishmeds later tonight or tomorrow if I run outta time today.
Sounds good and well balanced. The reverb on the vocals is a little wet to the point that it sounds like reverb on the vocals.WOW!!! Lots of great mixes. This is going to be a tough one for the judges.
Thanks NL5 for the awesome tracks.
Well after much slaving over them, here is my:
Final Mix
Sure is nice. The jbl's make a big difference too.Nice to have a good stereo system, isnt it ? Ive got a vintage Sansui 9090db and Polk Monitor 10's (4). Stuff is 30 years old and kicks ass. They dont make it like they use to. My receiver weighs in around 45lbs and my Pioneer PL-5 turntable is about 15 lbs.
I gave it another listen and what I was hearing was about 2:20 into the song you push the verb on the vocals. After listening again I'm sure you did it on purpose but it just sorta sticks out.Thank you for your critique.
Much appreciated.
Do you mean I pushed the dynamics a bit too much at a certain point?
If so where abouts did you notice it?
Thanks,
Eck
I gave it another listen and what I was hearing was about 2:20 into the song you push the verb on the vocals. After listening again I'm sure you did it on purpose but it just sorta sticks out.
First thing that jumps out instantly is its pretty high end heavy.
thanks...
I believe your mix is top lite and bottom heavy/thick and bouncing against several commercial mixes confirms this. I trust my tuned environment and have mixed in it for years.
I don't know your environment or system, but possibly it's bright (hi energy summation due to early reflections) causing darker mixes.
A rule of thumb is a 3db/octave bottom to top slope your mix runs at about 4 to 4.5db with a significant drop above 5K
I agree with you that compared to commercial mixes I have alot of low mids and low end. I went for this approach from advice on here pretty much. Commercial mixes don't have much low mids. The 1st quick mix I did (only mixed part of the song) was what I initally thought would be best since it sounded closer to a commercial release with not much in the low mids.
I'm confused, should I make my mix cleaner with less low and low mids so its more like a commercial mix?
I'm afraid I will get told that my mix is thin after mixing it how I really want it to sound like.
I think I might keep this last mix and also do another more commercial mix.
The high end thing comes down to taste. Comparing to commercial mixes like The Lost Prophets I have plenty highs. Comparing your mix to say Faith No More (80s stuff) then you have plenty highs.
I prefer my highs to be alot less then Faith No More mixes.
Its personal taste.
Eck
I have no recommendations on your mix other than mix on a system that you trust and mix to your taste.
FWIW, one other observation is your mix seems one dimensional and has minimal depth.
Yeah I do trust my system very well.
Can you explain more what you mean by my mix being 1 dimensional and having minmum depth? Maybe cause there are alot of low mids it not seem as wide a mix but alot of the tracks are hard panned.
Cheers,
Eck
depth is front/back not left/right.
I'm pretty aware of what depth is, but you said my mix was 1 dimmensional which doesn't make sense unless my mix was in mono.
What do you usually do to get depth? Add delays/reverbs, EQ? what else?
Eck
hm, EQ and Reverb. I seldom use Delay other than on Guitar Leads or for special affect.
Cool.
You'd be surprised that using delays on rhythm guitars can add depth pretty nicely. Also by only adding delay to 1 side of the rhythm or using differing amounts of delay on the sides can add something different to a mix which can work real nice.
If I'm adding delay to rhythm guitars I tend to use alot of delay automation and always watch the delay tails when the guitars stop playing.
Eck