the right pick?

  • Thread starter Thread starter joeym
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pelon916 said:
shame on you for not playin bass with yer fingers!

:)

All the cool people (read "I") play bass with a pick, a good thick gague too just to make sure it doesn't break. If it's less than 1 mm thick, you might as well just give up and hand the guitar off to someone with a real pick. :D

I recorded a punk album a couple of months ago where I actually duct taped the pick to my thumb. That worked pretty well. I didn't drop the pick after that.
 
pelon916 said:
shame on you for not playin bass with yer fingers!

:)


You know who the most recorded bass player in history is? Carol Kaye. (At least, she used to be, Will Lee may have taken over that spot, but I don't think so.)

You know what Carol Kaye played with? That's right, a pick. All the time, every time. And she got one of the all time great bass sounds in the world, with a pick.

Bass with fingers is cool, but so is bass with a pick.



Light

"Cowards can never be moral."
M.K. Gandhi
 
Not sure if anyone mentioned them, but I like the Dunlop Sharps. I think that is what they are called. They have a good grip like the other dunlops, but have a point with the back rounded like other regular picks. I don't notice any sliping like with a fender or some other glossy pick.
 
Picks categories

When you choose a pick you must consider

The sound it produces when attacking the strings, according to its material (smooth or not), its flexibility, thickness (connected to it´s flexibility), its shape (that may allow you to attack the string with its back side; if it´s edgy is other important factor). You can test these by muffing the stings with your neck hand while picking the guitar (amplified and without distortion) this will allow you to ear the pick´s sound.

Its ergonomic fitness to your hand, If it´s slippery, due to its material, shape and/or size (bigger picks more slippery and more hard to get on its initial position)


While playing Death metal I like to use a little edgy Jim Dunlop Jazz III (black, which is more non-slippery grainy). As opposed to that, while playing jazz or rock I use a polished smooth, round and thick Jim Dunlop, Fender or Gretsh that give accuracy and a good bass feeling (close to thumb). If I use its back that thumb-like sound will increase significantly. I just don´t like their size (they´re too big).
 
tdukex said:
Is it just me who thinks it odd that someone who can actually play "fast-shredding riffs" has yet to find a pick he can hold onto? :eek:
No it's not just you.

Claytons here. 1mm big triangle jobs. Never dropped one yet. Grip may have something to do with it. I pinch the pick between my thumb and the first knuckle of my index finger. I do not grip it with fingertips. Fucker ain't goin' anywhere.


lou
 
Is it just me who thinks it odd that someone who can actually play "fast-shredding riffs" has yet to find a pick he can hold onto? :eek:

no big secret....
I'm actually a singer more than a guitar player. I played guitar when I was younger but let it go for a good number of years because I just wanted to concentrate on singing, even though I strummed a few chords here and there with my past bands at live gigs. When I got into home-recording I started again so I could shape my songs the way I imagined them. I don't play live anymore, I find creating songs in my own set-up to be more fun. Regarding the "fast-shredding" riffs I'm still practicing and it seems to work pretty well, so I'm hoping I can record some "gallopping" songs to add some flavour to the CD I'm working on.

But I think considering the response this thread has had (which surprised even me!), it's interesting to know the different experienceof different ppeople with different picks and it's turned out to be an intersting subject. I like the suggestion with the pick between thumb and knuckle, gonna try that out....in the meantime I've cut grooves on my Dunlops with a pen-knife and it's helped.

So thanx to all of you....
;)
 
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