This piece was recorded with an AT4050 (through a Peavey VMP2) up about a foot or so from guitar level, and pointed down at the 12th fret (slightly angled toward the sound hole), set a little over a foot back from the guitar's face.
During mixdown, the single track was cloned two more times -- leaving three tracks total. On the second track a high pass filter was employed, and the channel was panned full right. The third track employed a low pass filter and was panned hard left.
The original track is panned center.
The result is a much larger, psuedo stereo image (lows left/highs right) for the guitar that holds up in mono. The vocal was done through a Karma k58 tube mic w/ the GE 5 Star tube swap through a Trident "Celebration" channel strip.
During mixdown, the single track was cloned two more times -- leaving three tracks total. On the second track a high pass filter was employed, and the channel was panned full right. The third track employed a low pass filter and was panned hard left.
The original track is panned center.
The result is a much larger, psuedo stereo image (lows left/highs right) for the guitar that holds up in mono. The vocal was done through a Karma k58 tube mic w/ the GE 5 Star tube swap through a Trident "Celebration" channel strip.