travelin travis
New member
I just did a low budget mic comparison using my old beat up Yamaha guitar. This is all the mics I have right now and I used them all:
Oktava MK012
MXL 603
Joe Meek JM27
ADK Hamburg
M-Audio Nova
MXL 2001
EV 635A
Shure 545SD
Radio Shack unknown model sm58 style
Audio Technica ATM25
The signal chain is Yamaha guitar > noisy untreated room > M-Audio DMP2 preamp> M-Audio 1010LT sound card > Cubase SX.
I pumped some white noise into the room using my monitors to match the recording level of each mic. It's the only thing that came to mind and I don't know what the hell I'm doing anyway. I strived to match the signals within a 1 db peak. The mic position was about 12 inches from the 14th fret of the guitar.
It's hotter than hell here so I'm not turning off the A/C. You know it's hot when the locusts are out all day making that fked up racket that they make. Also, my recording pc and monitor amp (with fan) are in the same room.
I learned that the amount of mic gain can really make a mic sound different. The higher the gain, the more of the character of the mic you will hear, be it strengths or weaknesses. For example, the brightness of the 603 is'nt so apparent at low gain. All of the clips in this comparison were recorded with moderate to low gain settings. I need to reset the jumpers on my 1010LT so that I can use more preamp gain. Also, I learned that I hate dithering.
Enjoy low budgeters. I'm doing a 1010LT / AC97 sound comparison next. After that will be a comparison of a handful of low budget mic preamps (vtb1, dmp2, dmp3, mp105, behringer mx mixer) if I can get the noise down here a bit. Then 24 bit truncated to 16 bit vs. 16 bit all the way.
Here's the mic comparison: http://www.soundclick.com/gearcomparisons
Oktava MK012
MXL 603
Joe Meek JM27
ADK Hamburg
M-Audio Nova
MXL 2001
EV 635A
Shure 545SD
Radio Shack unknown model sm58 style
Audio Technica ATM25
The signal chain is Yamaha guitar > noisy untreated room > M-Audio DMP2 preamp> M-Audio 1010LT sound card > Cubase SX.
I pumped some white noise into the room using my monitors to match the recording level of each mic. It's the only thing that came to mind and I don't know what the hell I'm doing anyway. I strived to match the signals within a 1 db peak. The mic position was about 12 inches from the 14th fret of the guitar.
It's hotter than hell here so I'm not turning off the A/C. You know it's hot when the locusts are out all day making that fked up racket that they make. Also, my recording pc and monitor amp (with fan) are in the same room.
I learned that the amount of mic gain can really make a mic sound different. The higher the gain, the more of the character of the mic you will hear, be it strengths or weaknesses. For example, the brightness of the 603 is'nt so apparent at low gain. All of the clips in this comparison were recorded with moderate to low gain settings. I need to reset the jumpers on my 1010LT so that I can use more preamp gain. Also, I learned that I hate dithering.
Enjoy low budgeters. I'm doing a 1010LT / AC97 sound comparison next. After that will be a comparison of a handful of low budget mic preamps (vtb1, dmp2, dmp3, mp105, behringer mx mixer) if I can get the noise down here a bit. Then 24 bit truncated to 16 bit vs. 16 bit all the way.
Here's the mic comparison: http://www.soundclick.com/gearcomparisons
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