Birdhouse said:
I think it comes down to is this. If you come from the analog "old school" of recording, you'll enter digital recording with a greater understanding of the dynamics that digital attempts to only
emulate. Digital sound is only a
representation of an analog signal made up of little steps on a curve. The more steps, the closer it
sounds to the original analog signal.
I guess this is my point. Some noobies aren't aware of analog recording theroy at all. This is where that old school knowledge crosses over and helps the next generation build a better mousetrap.
A very interesting point, Birdhouse. However, I'm not sure that I agree that the knowledge that comes from understanding analog recording is somehow "superior" to the knowledge that comes from understanding digital recording. It's just different, not necessarily "better."
Let's take myself, for example. I'm definitely from the "old school" of analog recording. When I was spending lots of time in a recording studio, it was the early to mid 1980's. Furthermore, I had the great fortune of training under a guy who was an absolute
genius when it came to recording music. He had a college degree as an electrical engineer, was an active member in the AES, and was always doing cool stuff like writing his own software program to analyze the reverb characteristics of the recording room at different frequencies (back when the Apple IIc was a state of the art computer!). He also was gracious enough to take the time to actually
teach me things, rather than just act frustrated that I didn't already know everything. Because of this, I feel that I picked up a very thorough understanding of the basics of recording theory.
Nevertheless, now that I'm trying to put together my own little home recording studio (using DIGITAL technology), I find myself rather intimidated by my lack of experience with the digital side of things. For example, the fact that there is no noise floor to speak of really freaks me out, especially when I'm going to be recording in my home, which was never designed to have proper acoustic isolation. Does this lack of noise floor mean that I'll have to worry about the self-noise ratings of the mics causing problems during the recordings? The fact that digital recording is absolutely intolerant of exceeding "zero" worries me a bit, too. I don't suppose it will be that hard to train myself to watch levels closely and remember that it won't just "compress a little bit" if I go over. But, still, the whole digital recording thing is a totally alien way of thinking, for me. And a little bit intimidating to me.
There are guys on this board in their teens and twenties who know more about how
digital recording works than I do. Of course, it's also possible that I might have picked up a trick or two from the analog world that THEY might find useful, especially considering the fact that there is still a lot of analog gear being used to make modern digital recordings. So, as I see it, there are two different knowledge bases. (Well, three, actually. There is an understanding about how analog recorders work. There is an understanding about how DIGITAL recorders work. Then there is an understanding of basic recording techniques, which applies equally to both of the previous two.) But a knowledge of analog recording is not in any way superior to the other. In fact, they seem complimentary to me, especially when analog and digital gear is being mixed together, as is often the case today.
p.s. And that makes 100 posts for me!!!
Wooo hoo!
Brad