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Here is a rough mix of our newest recording, any feedback is welcome. If you want to know the process and equipment used for the recording, ask and I will post ASAP. http://www.oslocal.net/downloads/SOS%20-%20Untitled.mp3 Note: This song is copyrighted. Oh, and please do not stream the file...

Here is a rough mix of our newest recording, any feedback is welcome. If you want to know the process and equipment used for the recording, ask and I will post ASAP. http://www.oslocal.net/downloads/SOS%20-%20Untitled.mp3

Since we haven't updated since we got the machine, we're all kinda worried what the 2.02 version will do to our old programs? Are they fine, or does updating include formatting the HD as well?

When you're ready to get all your mixes mastered, do you need to give the mastering engineer each seperate track? Or just the mixdown? I would ask this to the engineer themselves, but we have yet to get to that point. Also, does anybody have any suggestions for mastering studios in the Greater...

I've been using an SM57 to mic my drummer's hi-hat for the past 3 or 4 recording sessions. Then, yesterday, he just bought a new Sabian hat which is a definite step up from his Pearl one...But, now when I record it, there is this constant pulse coming from the track. And when he opens his hat...

My band bought these three mics for just under $525 CDN. Despite what I've heard about the 1000's, we're all pleasantly surprised. Plus the AT3035 is just excellent for vox and guitar. I HIGHLY recommend these to any bands that are looking for decent mics and aren't willing to spend very much.

I'm just starting to look for some decent mics to start recording with, and I already have a pair of AKG CK-80's with GN15 capsules, which I have used for shotgun mics on my dvcam, and I was wondering, would those do for overheads? I don't really have the time to experiment until our planned...

As I don't have our recordings or the machine handy at the moment, I would like to know what the Fostex VF-160 does when you master the tracks? Would it sound better if I were to transfer everything to Sound Forge and master it manually?

Does it really make a difference if you use dynamics or condensers for overhead mics? Right now we're using a pair of SM58's, but are contemplating putting our cash together for two AKG C1000's. Just want to know if it's really worth it for a basement recording?

Sorry if there has been a thread about this before, but I'm just wondering if anybody knows what mic Julian used on "Is This It"? I know it's an instrument mic, but I don't know what type. My band is trying to use an effect similar by doubling up mic's for our vocalist, so we can have that...