Your Thoughts on Behringer gear

  • Thread starter Thread starter soundzxtreme
  • Start date Start date
Getting an NT2 for $100 dollars off. because it says B2 on it. would be a good moment.
 
Lt. Bob--You reminded me that I have a V-Amp2 as well. I use it in a live duo and it works pretty well--as good as either the J-Station (I have one too) or a Pod. I could see using it in the studio for certain rhythm guitar textures or gonzo metal stuff, but nothing beats the sound of a miced amp to me. For what it is, I think the V-Amp is a very good buy.
 
Since Behringer now makes DJ mixers, is a DJ who uses a Behringer DJ mixer a Musican??


Composer Pro-decent,average,workable comp with useable Peak Limter.

Intelligate- Above-average (at least by Beh standards) gating
performance with adjustable Hi/Lo-pass filters suitable for negating audible "hiss"and "rumble".

AutoCom- Bit-Below-Average comp basically capable for handling
minor siblance control on vocs, simple bass comping and leveling.
Don't incoporate the units "ENHANCER"! It's intended use is for hi-freq boost lost during compression but gives audio signal a mettalic,artficial-like hi-end!

ANY MIXER- Can kiss my @ss! "SUCKS" is too kind a word to describe their anal-og boards!!
 
MISTERQCUE,

Frankly, I don't give a damn about your thoughts on Behringer gear.

hixmix
 
Can't help ya soundzxtreme, if you're looking for a good remark....
 
I've only had it for a day, but my Multicom Pro is working out nicely.

My ECMs are nice, though I'm ashamed I have them.

If I ever want and NT2 I will buy one. Not the B.

Their origional equipment might be worth it, but now I refuse to buy their rip offs.
 
They don't HAVE any "original equptment". Why do you think it costs so little? It's because they don't spend any money on research.
 
Well, what does the Composer rip off? What about my Multicom? I'm curious to know what company I'm ripping off.
 
(... we're all patiently waiting with bated breath to see if Tyler will actually be able to back up one of his clichéd generalizations...)
 
hokypokynose said:
Well, what does the Composer rip off? What about my Multicom? I'm curious to know what company I'm ripping off.
Actually, you're ripping off that dance, " you put your left nose in....you take your left nose out.....you put your left nose in then you shake.....it.....all...........never mind. :D
 
hixmix said:
MISTERQCUE,

Frankly, I don't give a damn about your thoughts on Behringer gear.

hixmix


But,But I thought U luv'd me!!??:(
 
I think thier stuff looks nice....And thats what really matters....

And th ecm8000 is pretty good for 35 bucks a shot.
 
A couple of days into it, I'll have to say I really like the V-amp a lot. But man it's built liteweight. Not only had I better not drop it, it looks like I shouldn't plug and unplug things too much. You can just feel the chassis flexing everytime you do.
 
I use a SRC2000 sample rate convertor and a SNR2000
single ended noise reduction system from Behringer.
Both products work exactly as advertised.
I'm very happy with them.
Peace.
Carmen
:)
 
composer is a drawmer compressor.

i personally think the Composer is a good compressor.

i personally find it hard to believe vox's stories, but wow, that's some experience. ive never had any probs with their stuff. i haven't got much of it, just some composers really.
 
i have a composer and and the drawmer thing its ripped off. the difference is the drawmer sounds good and the behringer dosen't.
 
that's not true. the behringer composer sounds allright. there s a hell of a lot of commercial studios in UK which have them too. that's not to define a good compressor or not, but y'know, they're not bad.
 
High!

I own a fabulous feedback destroyer... Well sometimes it just seems to omit strage pulse like those for dialing at the old telephone pulse-driven lines... But that'S not too often... The electricity in there is SHIT - maybe it'S that...

Tried to get rid of our feedbacks in the rehearsal room... But the only thing is: it made everythign sound shit... Perhaps I overused it, pehaps its my kind of singing that makes everything feel it'S overdriven, but it simply took everything away that was bright. Wrap your mike into two bathing towels and that was the sound... AMAZING!

I'm now trying whether I can use it as a weirdo-type sort of parameteric EQ in the sidechain... It might work nice, if it will not have the pulse at my home. Though maybe this will just be my HIT potential :D

So I'm really not sure whether I will buy that stuff again... It simply is cheap, and I think there are nice ideas like the dsp9000 -6 band dynamics would just be what I'd like...

Ciao

Axel
 
Don't take this up personel Axel, but if you try to get rid of feedbacks in the rehearselroom with a feedback destroyer I would try to learn the basics first before trying to work whit 6 band compressors.
The right way to get rid of feedback would be by using something like a 31band eq, or just plain eq from the console. A feedback destroyer is hardly going to do any good for this sort of problems.

I guess you are starting to learn the trick of the trade. Don't rush into things to fast. Stay away from 6 band comps, and start with a normal comp
 
Downside Studio said:
The right way to get rid of feedback would be by using something like a 31band eq, or just plain eq from the console.
No doubt! There should be no problem eliminating feedback in the rehearsal room by simply having everything EQ'd properly. Try to avoid the common mistake of trying to put things in the voice that it doesn't have naturally. All the time I hear people try to put that "crisp" sound in a mix by cranking the highs up or put some "bottom" on a guys voice when it just isn't there. All it does is screw up the mix and the singer still doesn't have a low or high voice.
 
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