Passable French horns, Rhodes piano, oboe, bells.
But basically, you won't get anything like a grand piano on a DX9 or DX21 or SX7mk1 or TX-81 or
TX-7 or
DX-100 or any of these mid-1980's Yamaha synths.
As for programming information,
The DX-9 voice consists of 4 sine wave generators - called operators. Each of these can be tuned independently, then cross modulated according to the algorithms/patterns on the front cover of the synth. Further, each operator has its own 8 stage envelope - like Attack-sustain-decay-release but you set the levels at which each of the operator envelope volumes occur and the rates/durations at each.
Basically each patch is based on one operator algorithms - and the feedback (where the diagram on the top of the synth has a loop) is a cross-modulation effect.
So these aren't intuitive to program at all. The best of these Yamaha digital synths were the DX7mkII - which featured different tuning options including stretch tuning, and a half-decent piano - and
the DX5 (rare).
You'll get more useful instrumental sounds out of a general midi synth (like a sound canvas
Roland SC55 ) or Korg X5M or Roland JV1010 modules.