Will someone please explain EQ settings??

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Pepper249

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I really am not sure what I am doing. I'm only recording vocals and guitar. What would good EQ settings be? I have sort-of a high pitched voice and would like it to be a little deeper...so is that require a Lo Gain increase? There are 4 settings on my machine for EQ:

EQ Hi G from -12 to 12
EQ Hi F from 500 to 18000
EQ Lo G from -12 to 12
EQ Lo F from 40 to 1600

I need someone to explain this to me in VERY simple terms please... :)
What's turnover frequency mean? What's low-range boost/cut mean?
What does messing with one setting do to the others?

Thanks, guys!

Patti :)
 
You have very limited EQ choices...

and this is a tough subject. Especially when we can't hear what you've recorded.

Try recording flat, all the settings neutral. Boost the low end on playback to see if your voice gets the tone you want. No one can tell you what to do just by reading what you've posted, even if we knew what mic you use, what pre amp you use, how you are recording the signal.

Good luck!
 
Hi G = Gain, meaning when set at 0 there is no boost or cut. Turning fully clockwise gives you 12 dB of gain at whatever frequency, fully counter-clockwise gives you 12 dB of cut.
Hi F = Frequency. You can change the frequency of what is being either boost or cut from 500 hz to 18000 hz. Turning this control moves the center frequency, the Gain control turns that frequency up or down.
Same for the other two controls except the frequency control sweeps from 40 hz to 1600 hz. They work together.
 
GEEZE! I thought this was a simple question.

Now I know I am in trouble when I don't even know what questions I shouldn't ask... ;-) I don't even really know what frequency means. Can we start there and explain what that is...please? DigitalSmigital, I have a recording here:



Thanks, guys!

Patti :)
 
pepper. buy a basic book on recording. or visit the library.
also lots of free info on the net.
also - get hold of whats known as a frequency chart.
this shows the frequency ranges for different instruments.
if you search under my name i posted a link to one yesterday.
heres some free tuition link for you as well.
if you visit pgmusic.com and click on the support link ....
you will find a number of free general tutorials and how to's related to recording. you will learn a lot.
spend an hour and read these carefully. it will help you a lot
in gaining knowledge/ideas.
a simple rule of eqing is to cut before boost often
when mixing various tracks.
also when recording vocals you will notice as you move closer to the mic you get proximity effect. you can use this creatively if you wish.
peace.
 
EQ Settings

Thanks for the advice, Manning. I DID buy a book and I did read it cover to cover but it just isn't sinking in. I'll read it again. I found the charts you refered to. Thanks!

Patti :)
 
I know how you feel pepper, I am wrestling with EQ also.

The way it was explained to me was in reference to a vocal signal. Applying EQ to the lower frequencies of the vocal, while applying EQ (of the instruments) to that part of the audio band used by the vocal signal will help the vocals shine in the mix.

Not too sure if that is of much use.
 
Hello, I didnt feel like typing all of this! :D
So I found this reference chart on another site.......

To understand EQ and its intricacies you need hands-on experience, but to help you get started, here's a table of general uses and the different ranges that EQ can affect. As every sound is different, though, these are necessarily very general guidelines...

Kick Drum
Any apparent muddiness can be rolled off around 300Hz. Try a small boost around 5-7kHz to add some high end.

50-100Hz ~ Adds bottom to the sound
100-250Hz ~ Adds roundness
250-800Hz ~ Muddiness Area
5-8kHz ~ Adds high end prescence
8-12kHz ~ Adds Hiss


Snare
Try a small boost around 60-120Hz if the sound is a little too wimpy. Try boosting around 6kHz for that 'snappy' sound.

100-250Hz ~ Fills out the sound
6-8kHz ~ Adds prescence


Hi hats or cymbals
Any apparent muddiness can be rolled off around 300Hz. To add some brightness try a small boost around 3kHz.

250-800Hz ~ Muddiness area
1-6kHz ~ Adds presence
6-8kHz ~ Adds clarity
8-12kHz ~ Adds brightness


Bass
Try boosting around 60Hz to add more body. Any apparent muddiness can be rolled off around 300Hz.If more presence is needed, boost around 6kHz.

50-100Hz ~ Adds bottom end
100-250Hz ~ Adds roundness
250-800Hz ~ Muddiness Area
800-1kHz ~ Adds beef to small speakers
1-6kHz ~ Adds presence
6-8kHz ~ Adds high-end presence
8-12kHz ~ Adds hiss


Vocals
This is a difficult one, as it depends on the mic used to record the vocal. However...Apply either cut or boost around 300hz, depending on the mic and song.Apply a very small boost around 6kHz to add some clarity.

100-250Hz ~ Adds 'up-frontness'
250-800Hz ~ Muddiness area
1-6kHz ~ Adds presence
6-8kHz ~ Adds sibilance and clarity
8-12kHz ~ Adds brightness


Piano
Any apparent muddiness can be rolled off around 300Hz. Apply a very small boost around 6kHz to add some clarity.

50-100Hz ~ Adds bottom
100-250Hz ~ Adds roundness
250-1kHz ~ Muddiness area
1-6kHz ~ Adds presence
6-8Khz ~ Adds clarity
8-12kHz ~ Adds hiss


Electric guitars
Again this depends on the mix and the recording. Apply either cut or boost around 300hz, depending on the song and sound. Try boosting around 3kHz to add some edge to the sound, or cut to add some transparency. Try boosting around 6kHz to add presence. Try boosting around 10kHz to add brightness.

100-250Hz ~ Adds body
250-800Hz ~ Muddiness area
1-6Khz ~ Cuts through the mix
6-8kHz ~ Adds clarity
8=12kHz ~ Adds hiss


Acoustic guitar
Any apparent muddiness can be rolled off between 100-300Hz. Apply small amounts of cut around 1-3kHz to push the image higher. Apply small amounts of boost around 5kHz to add some presence.

100-250Hz ~ Adds body
6-8kHz ~ Adds clarity
8-12kHz ~ Adds brightness


Strings
These depend entirely on the mix and the sound used.

50-100Hz ~ Adds bottom end
100-250Hz ~ Adds body
250-800Hz ~ Muddiness area
1-6hHz ~ Sounds crunchy
6-8kHz ~ Adds clarity
8-12kHz ~ Adds brightness


Good Luck! :)
 
Har-Bal... no, no, no... not HAIR BALL, Har-Bal. Get it right!

In my never ending quest to understand just how to create decent music (Julie Andrews made it seem so easy!) I found this application. Here is a review from EQ magazine.
 
Thanks, guys!

I got my books out and read em again......they just don't make much sense to me. But thanks, Wheelema, Manning and Mr Nice.... I am sure I can figure this stuff out with the helpful info you posted. :)

Patti
 
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