mshilarious
Banned
TravisinFlorida said:Farview, why is a wide dispersion needed in a monitor? I usually try not to stray far from my beer so that I can take advantage of any breaks during a song.The only reason I move around the stage at all is to try and hear more of the other guitarist or singer. If I had a monitor, I would have no reason to move around. Keep in mind that we're typically in small to medium clubs with small stages.
See, that's where maybe a 5" jobbie might work for you, especially if you don't have an open mic. If it's only $10 for the driver . . . give it a shot, and let the singer cough up the bucks for a real monitor. I don't see the point of the 8" though, for that much woodworking I'd just step up to the real thing. Heck, in the bad old days, I've used crap 10" guitar amps as sidefills
Ah, I remember my first band's PA . . . the guitarist's parents sprung for the PA, it was two 2x12 cabs and a 6 channel powered mixer. Eventually we figured out we needed monitors, because the singer was the drummer
so we got these self-powered things that must have been 3" drivers or something.
The guitarist used a 2x12 Fender amp and I had a biamped Peavey 15" and 2x12" rig. The drummer played with the freakin' John Bonham tree trunks, turned around of course.I'm pretty sure nobody ever heard the vocals

The only reason I move around the stage at all is to try and hear more of the other guitarist or singer. If I had a monitor, I would have no reason to move around. Keep in mind that we're typically in small to medium clubs with small stages.

