N
NickSpringfield
New member
I've been doing this for a few years, pretty half-assed I must say. It used to be that I just wanted something to say it was mine. I would make an instumental real quick with no real mixing besides volume and panning and just add my vocals with some basic settings and that was it. My friends liked it because they can't tell the difference between good production and crap.
But now, I'm much more interested in taking the time to really sclupt something from my mixes. I've been listening to a wide veriety of music and I have some general questions.
Basically when I listen to a pro mix, the vocals are very clear, up front of the mix and kind of transparent if thats the word for it. It has its own space but dominates the space as well. No harshness to it. My mixes are the opposite, obviously, and the vocals, although clear, stand firm on their ground in the mix, but they are only in one place and kinda rough. I tried doubling, tripling and quadrupling tracks and added different eq's and effects and panned them in all different directions, but it just sounds like chaos. I do use compression (not very well) and my mic isnt that good and the room I record vocals in is shit as well at the pre-amp. I KNOW this is why my results are so bad and I'm not asking for tips, for I have many books to read as it is, but my questions is:
Does the spacial aspect that I'm trying to explain occur primarilly in the tracking stage, mixing stage or mastering stage. Obvious answer is all three, and the crap in=crap out theory is true I know, but is there anything off the top of your heads that I can do to help? A new pre-amp and soundcard are calling me from afar, but besides that?
Sorry this is so long, my bad.
-Springfield
But now, I'm much more interested in taking the time to really sclupt something from my mixes. I've been listening to a wide veriety of music and I have some general questions.
Basically when I listen to a pro mix, the vocals are very clear, up front of the mix and kind of transparent if thats the word for it. It has its own space but dominates the space as well. No harshness to it. My mixes are the opposite, obviously, and the vocals, although clear, stand firm on their ground in the mix, but they are only in one place and kinda rough. I tried doubling, tripling and quadrupling tracks and added different eq's and effects and panned them in all different directions, but it just sounds like chaos. I do use compression (not very well) and my mic isnt that good and the room I record vocals in is shit as well at the pre-amp. I KNOW this is why my results are so bad and I'm not asking for tips, for I have many books to read as it is, but my questions is:
Does the spacial aspect that I'm trying to explain occur primarilly in the tracking stage, mixing stage or mastering stage. Obvious answer is all three, and the crap in=crap out theory is true I know, but is there anything off the top of your heads that I can do to help? A new pre-amp and soundcard are calling me from afar, but besides that?
Sorry this is so long, my bad.
-Springfield