Runners-up:
1) backing up C&W hasbeen Rex Allen Jr. at a county fair in WV, with no charts - woulda been fine if I was just on keys, but I was the bass player too. Couldn't follow, had to lead. Aaaaagh!;
2) big show: "Country, the Next Generation" somewhere in PA (we called it: "the no-talent offspring of the rich and famous"), with Marty Haggard (really pretty damn good), Cissy Lynn (we think she was the shake-n-bake girl, you know: "and AH helped"), and Michael "Shitty" Twitty. We backed up Twitty - only EIGHTEEN people showed up. We all still played, but boy, I felt stoopid;
3) bass player walked out right before a gig, I had to play left-hand bass, and didn't know how (WAY early in my career). Owners sent us home after the first set. I got fired a few weeks later. Funny - keyboard bass is now one of my strong suits...;
but the winner is:
Our big break - we were opening act for Billy Crash Craddock and Ronnie Harrison at a charity gig in Winchester VA. Clincher was, we had to provide the PA and run sound. Hired a fiddle player for the gig, too. Bandleader knew a local guy with some big PA equipment, cut a deal with him. Also hired a sound man.
So the guy with the PA shows up with the stuff, and we set up and sound check, get it sounding pretty good. Then we go to sound check Craddock and Harrison's bands - by this time, the guy with the PA has sent the sound man up to run the follow spot. When we protested, he said he'd walk with his stuff if we didn't let him run things. The idiot didn't keep track of anything. none of the settings, the routing, nothing. Our leader decided we'd just live with it.
WE sounded great. Nobody else did. Craddock started ragging on us real early, we tried to fix stuff, but nobody knew where anything was. bad mixes, bad EQ, feedback problems, singers couldn't hear themselves. Craddock finally left the stage, told the crowd he'd do his second set if we got our shit together.
Harrison had a bit more professional demeanor, but it was the same issues. Sounded like absolute shit. Sound guy kept saying it sounded fine (idiot).
Our second set sounded fine, but Craddock's and Harrison's were even worse. This time Craddock walked out. Harrison cut his set short. The guy who booked it lost his ass (from giving refunds to the disgruntled patrons - rookie!), he skipped town owing everyone money.
We wound up putting in 18 hours that day, not a nickel to show for it, and really messed up our reputation. I never saw the fucker with the PA again, and I quit the band a few months later, after the leader stiffed the sidemen on a private party ("that's $2,000 for me, $50 for you." Prick.)
Daf