What mic is this?

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true-eurt

true-eurt

Maneater
Hi...I have a mic and there is no writing on it. It does however, look exactly like this AKG D-1000E DYNAMIC-CARDIOID...except no labeling on it. I can see absolutely no difference in the mic...any ideas as to if mine is this and just has the name wore off, or could it be an imposter?

Also, I can't tell this by the pic, but mine has a little switch on the narrow bottom end that says B-M-S with the three settings...what does that mean?

AKG_D-1000-E_Microphone_web.jpg
 
hey true!

sounds like it is a knockoff.. makes plenty of sense.
 
I just found this when I googled.... :D

Take note, that the original thread in the link below was created in 2000....the first response posted, is 2004 !!! :eek: :D :D

https://homerecording.com/bbs/showthread.php?t=11959



And here is what is said about the mic at the vintage site I visited...I hope the knock off works okay for acoustic recording.

http://www.oaktreeent.com/microphones.htm

A bit of a classic and a GREAT performer. Definitely "holds a candle" to a Shure SM-57, with some users preferring it. The mic also features a 3-position bass Roll Off selector. Unidirectional "Cardiod" pattern enables high "gain before feedback". Great for vocals and general purpose instrument mic'ing. Integrated wind screen. Standard XLR connection.
 
My guess on the switch is a filter.
S= Speech which means a roll off at some frequency (75 or 150 hz or whatever).
M= Music which means no roll off.
B= Now this is strictly a guess but Boost as in MAYBE a high end EQ bump.
 
I have one of those AKG's I don't think it is a mic any one would want to copy.
I bought mine back in the early 70's. It never sounded that great to me I've attempted to use it as a cabinet mic but it needs to be retired.
 
your guesses were wrong. :)



B==Bass Boost, with a large proximity effect. even response at moderate distances, though best performance is up close.

M--neutralized proximity effect, somewhat reduced LF. performs best in the free field(medium distance)

S--GREATly reduced bass, and HF boost, for cutting through room rumble or other issues.

Basically--b-Bass emphasis, M--mid emphasis, S--high emphasis..
 
I am going to record the acoustic with it later this evening and see how it does...I may post it here.

Using the middle emphasis setting be the best for an acoustic?
 
that probably depends somewhat on the acoustic but

I wouldn't think a dynamic cardioid would likely be a first choice for an acoustic, period, but it never hurts to try. Try it all 3 ways and see what happens. Maybe double track, once with 'M', once with 'S'.

I was going to guess that the 'B' setting was for homerec podcasting.

B=Bullsh*t :D
 
BigRay said:
your guesses were wrong. :)



B==Bass Boost, with a large proximity effect. even response at moderate distances, though best performance is up close.

M--neutralized proximity effect, somewhat reduced LF. performs best in the free field(medium distance)

S--GREATly reduced bass, and HF boost, for cutting through room rumble or other issues.

Basically--b-Bass emphasis, M--mid emphasis, S--high emphasis..

I have one of these mics (had it since 1973). Since there are no active electronics, nothing can be BOOSTED. It's just a simple three-position bass-rolloff switch. Not a bad mic.
 
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