
Llarion
New member
What recording of yours (cover or not) did you take the longest to do, put the most in, overflow with effort and ambition, try stuff you never did, overwork yourself, draw blood, and have to take a big nap when you were done?
Well, here's mine..
Children of Sanchez
I did a cover of the classic 1977 Chuck Mangione piece "Children of Sanchez"... Chuck was probably the single biggest formative influence in my musical life, I was always a HUGE fan, so for me, this was pure tribute... It's a 25-track monster! Here's the layout:
Recording device: Korg D1600 16-track hard disk station
10 tracks of drums (acoustic kit, 2 parts, 5 mics on the kit)
Bass - Peavey Foundation, direct, no FX
Piano - Roland RD-500
Rhythm Guitar - Martin DXME
Rhythm Guitar 2: Angelica classical
Melody 1: Martin DXME (more processed, over-attacked for bite)
Melody 2 (doubled): Korg Trion flugelhorn patch
Rhodes: RD-500
Cello: Proteus 2000
Flute Solo - Proteus 2000
HORN SECTION:
Trombone, 2 different trumpet parts, flute part, French horn. All tracked individually, in realtime, all Korg Triton patches except trombone, Proteus 2000.
Mastering: Cool Edit Pro 1.1, using t-Racks and Waves plugins.
This beast took a full month, probably 40+ total hours in it. No click track. Drums were take one both times, bass was take 2. Piano and Rhodes were take 1. Melody guitar was take 5. Melody keyboad was take 7. Cello was take 2. Horns were all at least a dozen. The flute solo was probably the 25th pass. (I am one poopstain of a soloist.)
For you Magione aficionados, I used the studio single arrangement, with the ending from the Live at the Hollywood Bowl cut, and longer drum section between the verses.
Whattya think? And what's the BEAST in your catalog??? Let's hear it!!
Well, here's mine..
Children of Sanchez
I did a cover of the classic 1977 Chuck Mangione piece "Children of Sanchez"... Chuck was probably the single biggest formative influence in my musical life, I was always a HUGE fan, so for me, this was pure tribute... It's a 25-track monster! Here's the layout:
Recording device: Korg D1600 16-track hard disk station
10 tracks of drums (acoustic kit, 2 parts, 5 mics on the kit)
Bass - Peavey Foundation, direct, no FX
Piano - Roland RD-500
Rhythm Guitar - Martin DXME
Rhythm Guitar 2: Angelica classical
Melody 1: Martin DXME (more processed, over-attacked for bite)
Melody 2 (doubled): Korg Trion flugelhorn patch
Rhodes: RD-500
Cello: Proteus 2000
Flute Solo - Proteus 2000
HORN SECTION:
Trombone, 2 different trumpet parts, flute part, French horn. All tracked individually, in realtime, all Korg Triton patches except trombone, Proteus 2000.
Mastering: Cool Edit Pro 1.1, using t-Racks and Waves plugins.
This beast took a full month, probably 40+ total hours in it. No click track. Drums were take one both times, bass was take 2. Piano and Rhodes were take 1. Melody guitar was take 5. Melody keyboad was take 7. Cello was take 2. Horns were all at least a dozen. The flute solo was probably the 25th pass. (I am one poopstain of a soloist.)
For you Magione aficionados, I used the studio single arrangement, with the ending from the Live at the Hollywood Bowl cut, and longer drum section between the verses.
Whattya think? And what's the BEAST in your catalog??? Let's hear it!!