H
HapiCmpur
New member
I’ve heard it said that if you split a signal to two tracks and then pan one hard left and one hard right, you end up with mono, not stereo. That makes sense, of course, but it doesn’t explain why doing that SOUNDS markedly different from simply leaving the signal on one track and panning it to the center. To my ears, a signal that’s split and panned sounds bigger, closer, and wider than a signal that sits by itself in the middle of one track, especially a vocal.
I understand that most people who split signals do so to “stereoize” the tracks by delaying one slightly, by EQing the two tracks differently, or by adding chorus or some other effect to one track but not the other. But I’m wondering if anyone out there ever splits and pans a signal without “stereoizing” it, just to bring it forward in the mix or to make it take up more room. How many of you would consider that a waste of a track and instead find some other way to bring the signal forward or make it more present?
I understand that most people who split signals do so to “stereoize” the tracks by delaying one slightly, by EQing the two tracks differently, or by adding chorus or some other effect to one track but not the other. But I’m wondering if anyone out there ever splits and pans a signal without “stereoizing” it, just to bring it forward in the mix or to make it take up more room. How many of you would consider that a waste of a track and instead find some other way to bring the signal forward or make it more present?