Variax 300 review

  • Thread starter Thread starter Fab4ever
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Fab4ever

Fab4ever

Getting better
Hello all. I just played my first "gig" of sorts with my brand new Variax 300. I thought I'd give you guys some impressions.

Background first: I've been playing for 25 years or so, but I wouldn't call myself a master by any means. I own an American Strat (my typical guitar), a modified Epi Dot, a Danelectro 12-string and various acoustics and a mandolin. I play through a Line 6 Pod XT and an FBV Floorboard, though I'll be selling those soon to get a POD XT Live, which provides a digital connection to the Variax.

In my hands, the Variax (street $499, I bought it for $399 with a Sam Ash coupon) feels not too bad. Not as silky as my Strat, but the fingerboard dimensions are similar if not identical. Tuners are not as reliable as my Strat's, although I have no idea how long the strings have been on the Variax and I haven't changed them yet. Someone said the Variax 300 is like a $300 guitar body with $200 worth of computer electronics inside, and I don't disagree at all.

The Variax family uses bridge mounted pickups to capture the vibrations of each string, which then is converted to digital information. The brains of the guitar uses the impulses to model 25 instruments - a Strat, a couple Teles, various Les Pauls, a 335 and a Casino. a couple Ricks plus other electrics, a few acoustics and even a banjo and a sitar (!).

I am most qualified to compare to a Strat, my mainstay instrument. I must say, it's very close. Not identical, but not necessarily worse than my Strat. On this model, the five-position pickup switch acts just as it does on a real Strat. The differences among the pickup positions mirrored the real thing VERY closely.

The thing that freaks me out a bit is that the FEEL is more different than the sound. So the neck doesn't react precisely as my Strat neck does... but the sound is pretty close. I'd be hard-pressed to tell the difference if I just recorded the tones and listened.

Now the main flaw of the Variax: on the one I got, the volume of the high E string is too soft, while the A string is too loud. Now that's correctible once I get the Workbench software, but until I get it and my XT Live (or the Workbench digital cable) I can't do anything about it. Bummer.

Another dislike: the 12-string models seem to detune some of the strings, I suppose at an effort at realism. For me, I just seemed to want to tune the guitar! But of course, you can't "tune" the additional strings, since they're just digital emulations. Again, that's supposed to be adjustable via the software. I am eagerly awaiting a try.

Now a bit on the other guitars modeled. I've never owned a Les Paul but I really dig the Variax's Les tones, especially through a Marshall setting on the Pod. Ditto the Casino - it was especially sweet played clean through the Pod's Twin Reverb model. Nice!

So there are my first impressions: Sound seems very close to original, with the exceptions noted above. It's not quite as playable as a good $500 guitar could be, but if you take into account the cost of the electronic "brain" this is easily overlooked.

If you record, or if you (like me) want lots of variety, it's a no-brainer. I love it so far!
 
I've had my variax 500 for little over a year and once I got the workbench I fell in love with it all over again. Its indispensible when it comes to tweaking your sound. Definatley get one to get the fullest out of your guitar. When I bought mine they didn't offer a 300 series so I can't say anything about it's quality as compared to my 500 series. I think the quality on the 500 is right up there with my american standard strat...the 500 is string through body bridge which I really like...if you like the variax you may want to look at getting a higher model and that may alleviate any quality issues you may have.

by the way the first thing I did when I got my workbendh was tweak the damn 12 string tuning....it was cake.

I have ten electrics in my studio and I always seem to go to my variax and podxt for recording...they're the whores of my studio.
 
For a quick fix for your A string and high E string volume problems, couldn't you just adjust the pickup height?

Anyway, that sounds like a pretty sweet guitar. Thanks for the review!
 
Imaduck said:
For a quick fix for your A string and high E string volume problems, couldn't you just adjust the pickup height?

Anyway, that sounds like a pretty sweet guitar. Thanks for the review!
No conventional pickups on Variax. It is built into the bridge, which moves with the string.

The Workbench can adjust string volume.

Ed
 
One really needs the workbench software to get the most out of a variax.

The variax models about 25 different guitars, each with somewhat different volume levels. Playing live with that can cause problems. With the WB software you can easily makes all the combos the same volume level.

You can also tweak many other things, which allows a lot of sound tailoring.

Ed
 
My guess is that it will in a future update. It's clear that had software problems and a schedule issue. They released WB 1.0 some weeks ago to get it out. I suspect they will add full XTL support, and acoustic and bass support in the coming months.

Ed
 
I should also add that Line 6 has some real production problems with both Workbench and with the proprietary digital cable that connects the guitar to the Podxt Live. I have ordered both, and both are on backorder with no promised date of delivery.
 
The cable is available elsewhere, but the USB box only comes from them.

You can download WB software from the Line 6 site.

Ed
 
Thanks. I may break down and buy one. I suppose I could sell the one that some day will be coming....
 
I had originally ordered one from an online store, which was out of stock. After I got the one on EBay I canceled the online order. Today they still show out of stock.

Ed
 
Wait a minute, I thought the 300 series can't be supported by software (no connection)...that's how they kept costs down.
 
No, all three models support workbench. The downloads are slightly different for 300 vs 500/700, but the functions and sounds the same. I suspect the same will be true for the acoustic once they get WB set for it.

The physical electronics are different in the 300 and perhaps lower in cost, but functions are the same.

Ed
 
You know I only had the sitar on long enough to play the lick from Paint it Black. That sounded cool! I also tried Norwegian Wood, naturally, but that didn't sound quite as spot-on. With some tweaking I"m sure it would be fine... I also think it would be cool to use some effects on the sitar, to really twist it up. But what I like about it is it wasn't super fizzy.

Undoubtedly I'l play around with it and the other sounds much more as the days go by.
 
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