deaf clef pro
New member
Hello, everyone! I'm new to both this forum and audio capture/production. I've acquired a Boss BR-1180CD digital multitrack recorder as a starting point to my new adventure and wanted some input concerning how to best manipulate it as the last step in my production chain.
1. Goals-My ultimate goal is to capture my own music made with an electric guitar. I'm also supporting a friend who plays an acoustic guitar.
2. What I've done so far-We've captured several tracks with his acoustic, using a Sterling Audio S50 microphone (in the shock mount) on input 1 and a snap-in pickup on the guitar input. The mic is positioned about 10-12 in away from the sound hole and has a pop filter to reduce percussive pick noise. I dial back the mic input sensetivity and crank up the pickup input then record each on tracks 1 and 2 respectively. I play with the pan and EQ (mostly just to reduce noise, since I don't quite understand EQ fully and the 1180's EQ seems limited) and balance out the levels when bouncing to tracks 9/10 for mastering. This device has a robust "Mastering Tool Kit" (specifically for tracks 9/10) with much better EQ capabilities so I'll trim off any pre- and post-music crud then master the track to the best of my abilities. Results sound very pleasing through my KRK 6400 headphones. Headphones are my only listening option since I don't have a dedicated space to establish a control room or full-on studio.
2. A. Question-I also have an ART Tube MP pre-amp I was considering adding to the microphone for a stronger input signal. Would using this device reap any tangible benefit? I enjoy the natural sound of the mic vs. the relatively lifeless tone of the clip-in pickup but I don't get a very strong signal from it. I'm aware the 1180 has a built-in mic pre-amp and I'd like to know how to bypass or disable that feature, assuming it's not the input sensetivity knob...
3. What I want to do next-Route my BC Rich Trace Warbeast through my Digitech GNX 3 processor to the BR 1180 for recording. I LOVE the sounds I can get with the Digitech processor but enjoy the ease of "layering" multiple tracks with the Boss device. The GNX 3 can record but it's a PITA to manage, has very little storage capacity and doesn't offer any tools for shaping the final sound.
3. A. Question-What's the preferred method for interfacing these two devices? The GNX 3 has two 1/4" outputs-described as:
"Left Output. Connect to the input of an amplifier, input of a power amp, or line input of a mixing console.
Right Output. Use this jack in conjunction with the Left Output for stereo applications. Connect to the input of a
second amplifier, or the right input of a stereo power amp."
The BR-1180 also has three 1/4" inputs, described as: "Guitar. High-impedance input jack to directly connect your guitar or bass. MIC 2 jack (TRS Phone) Input jack/connector for use with mics. Two types are provided, TRS balanced input...* If mics are connected both to the TRS phone jack and the XLR connector, the TRS phone jack is selected automatically. * If an instrument is connected to the GUITAR/BASS jack while a mic is also connected to the MIC 2 jack (or connector), the GUITAR/BASS jack is selected automatically. MIC 1 (VOCAL) Jack (TRS Phone). These jacks allow a mic to be connected. Two types are provided, TRS balanced input (p. 27)..."
I'm assuming I can connect an instrument cable (mono or tip/sleeve but NOT stereo or tip/ring/sleeve cable) from the GNX Left Output into the 1180's Guitar input?
4. Some future plans-I would like to incorporate an external equalizer into the path since the BR-1180's EQ seems quite limited. Any guidance on how to best accomplish this, along with constructive suggestions for good equalizers, would be very helpful. Rack mount units preferred. The BR-1180 has analog audio in/out jacks but the manual doesn't specify them as an "effects loop" as I'm familiar with on guitar amps. It mentions an "audio sub-mix" option but I don't quite understand what that is.
Thanks for taking the time to read through my lengthy post and I look forward to hearing your constructive inputs!
1. Goals-My ultimate goal is to capture my own music made with an electric guitar. I'm also supporting a friend who plays an acoustic guitar.
2. What I've done so far-We've captured several tracks with his acoustic, using a Sterling Audio S50 microphone (in the shock mount) on input 1 and a snap-in pickup on the guitar input. The mic is positioned about 10-12 in away from the sound hole and has a pop filter to reduce percussive pick noise. I dial back the mic input sensetivity and crank up the pickup input then record each on tracks 1 and 2 respectively. I play with the pan and EQ (mostly just to reduce noise, since I don't quite understand EQ fully and the 1180's EQ seems limited) and balance out the levels when bouncing to tracks 9/10 for mastering. This device has a robust "Mastering Tool Kit" (specifically for tracks 9/10) with much better EQ capabilities so I'll trim off any pre- and post-music crud then master the track to the best of my abilities. Results sound very pleasing through my KRK 6400 headphones. Headphones are my only listening option since I don't have a dedicated space to establish a control room or full-on studio.
2. A. Question-I also have an ART Tube MP pre-amp I was considering adding to the microphone for a stronger input signal. Would using this device reap any tangible benefit? I enjoy the natural sound of the mic vs. the relatively lifeless tone of the clip-in pickup but I don't get a very strong signal from it. I'm aware the 1180 has a built-in mic pre-amp and I'd like to know how to bypass or disable that feature, assuming it's not the input sensetivity knob...
3. What I want to do next-Route my BC Rich Trace Warbeast through my Digitech GNX 3 processor to the BR 1180 for recording. I LOVE the sounds I can get with the Digitech processor but enjoy the ease of "layering" multiple tracks with the Boss device. The GNX 3 can record but it's a PITA to manage, has very little storage capacity and doesn't offer any tools for shaping the final sound.
3. A. Question-What's the preferred method for interfacing these two devices? The GNX 3 has two 1/4" outputs-described as:
"Left Output. Connect to the input of an amplifier, input of a power amp, or line input of a mixing console.
Right Output. Use this jack in conjunction with the Left Output for stereo applications. Connect to the input of a
second amplifier, or the right input of a stereo power amp."
The BR-1180 also has three 1/4" inputs, described as: "Guitar. High-impedance input jack to directly connect your guitar or bass. MIC 2 jack (TRS Phone) Input jack/connector for use with mics. Two types are provided, TRS balanced input...* If mics are connected both to the TRS phone jack and the XLR connector, the TRS phone jack is selected automatically. * If an instrument is connected to the GUITAR/BASS jack while a mic is also connected to the MIC 2 jack (or connector), the GUITAR/BASS jack is selected automatically. MIC 1 (VOCAL) Jack (TRS Phone). These jacks allow a mic to be connected. Two types are provided, TRS balanced input (p. 27)..."
I'm assuming I can connect an instrument cable (mono or tip/sleeve but NOT stereo or tip/ring/sleeve cable) from the GNX Left Output into the 1180's Guitar input?
4. Some future plans-I would like to incorporate an external equalizer into the path since the BR-1180's EQ seems quite limited. Any guidance on how to best accomplish this, along with constructive suggestions for good equalizers, would be very helpful. Rack mount units preferred. The BR-1180 has analog audio in/out jacks but the manual doesn't specify them as an "effects loop" as I'm familiar with on guitar amps. It mentions an "audio sub-mix" option but I don't quite understand what that is.
Thanks for taking the time to read through my lengthy post and I look forward to hearing your constructive inputs!