Using a condensor mic to record electric guitar

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ScudleyRecords

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I was wondering if anyone else out there uses a condensor mic to record electric guitar, both distorted and clean alike? I only ask because every one I've asked, including threads on the net ALWAYS suggest dynamic mics like the Shure SM57 to do the job - but to be honest I find them so flat and uninteresting with their sound.

In stark contrast, using a condensor mic (Specifically the Rode NT2A) gives such a rich clear sound, even for distortion. I've had the amp up quite high as well and it doesn't appear to peak out the mic like everyone says it will. Obviously moving it further back from the source then a dynamic mic does the trick but that's a given no matter what you're recording.

Am I missing something in my technique or is it actually ok to record using a condensor mic?
 
If it works for you then that's good enough.

How about posting some of your distorted trackings that you rate as rich and clear.
 
My goto mic for electric guitar is my trusty AKG C2000B, works beautifully.
 
I've used condensers from time to time. The sound can be a bit too clean and detailed to suit some guitars but other times it works well.

The other thing to watch for is the SPL from the guitar cabinet--on some mic/cab combinations it can be too high and clip actually at the mic itself. However, if it's working for you then no problem.

Bob
 
If you what a WOW moment on guitar cabs purchase a cheap ribbon microphone like a $80 MXL R144 ... you'll be very happy at how well and with detail the capturing is done!
 
I always use a large condenser on electric guitar, and sometimes I have a 57 and /or a 421 and /or an omni condenser, ribbon, room mic, etc,etc as well depending on the sound I want. Sometimes recorded to different tracks sometimes bussed to 1 track, sometimes panned left / right sometimes mixed later. There are no rules, whatever works.

alan.
 
I have used condensers as distant mics (more than 18" away). But, now that I use Fat Head ribbon mics, I never want the condenser anymore. I pretty typically use the Fat Head and/or SM57 now. The ribbon can be close or distant and sound great, and the 57 for right up on the grill.

But, if you like the LDC on guitar cabs, stick with it. Your style and what you're shooting for is really all that matters. Gathering opinions like this can be useful in getting ideas to experiment with, but if you like it stick with it.
 
I'm with Mewsician. I've gotten my best results on cabs consistently with AKG C2000B. It simply rocks as a cab mic.-Richie
 
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