R
Richard Monroe
Well-known member
OK- I have a clever plan, and it seems to be working. If you are an old folkie, or country, blues, whatever- You know you have to have a cheap beater that you can haul up to the top of the mountain and play by the campfire. I work for a living, and I like being married, which means the Taylor is not going up said mountain. For years, my antisocial psycho brother has been abousing, neglecting, and trying to kill, a circa-1970's Yamaha classical that absolurely rocks. Chris Woitach, the best guitar god I know, picked up my Taylor 710CE (and it's one of the good ones) and said, "This will be acceptable." In 1980 he played this Yamaha and said, "This is a pretty good guitar-I'd hang on to this if I was you." You get the idea.
Fortunately, my bro has always had a hankering for my old Epiphone, which is my beater. It's a Japanese made PR-something-or-other, clunky neck, a stable crack in the spruce top. No buzzes, good tone. I bought it new in 1982 for about $300. Normally, I wouldn't take advantage even of my looney brother's ignorance, but please note that this Yamaha is leaning in a corner, no case, and probably hasn't been played since I played it 2 years ago. I'm just trying to save this guitar from him. I can't believe the top hasn't sunk yet. Gentle hydration will be required.
But- this means I needed a cheap acoustic to replace the Epiphone. I was spooking around Guitar Center on July 4, 2 days after my birthday, and I found a Mitchell MD-100 marked down to $85.00 new!!! My first assumption was- Now here's a guitar that sucked the day it was made, *and* it's defective, damaged, or both. So I picked it up and...Holy shit, yeah, it has the tinny sound of a laminated top (cedar, I think with Rosewood sides and back), but- very good intonation, excellent action, no buzzes. Compensated saddle, purfling, sealed tuners (probably 12:1). I swear I went over this cheap axe from stem to stern, and could't find a scratch, a ding, a crack, a loose brace, nada. It least it doesn't have the clunky neck of that old Jap Epiphone. What the hell, my new expendable acoustic. In 2 weeks, I get my grubby little hands on that Yammy. Just sharing-Richie
Fortunately, my bro has always had a hankering for my old Epiphone, which is my beater. It's a Japanese made PR-something-or-other, clunky neck, a stable crack in the spruce top. No buzzes, good tone. I bought it new in 1982 for about $300. Normally, I wouldn't take advantage even of my looney brother's ignorance, but please note that this Yamaha is leaning in a corner, no case, and probably hasn't been played since I played it 2 years ago. I'm just trying to save this guitar from him. I can't believe the top hasn't sunk yet. Gentle hydration will be required.
But- this means I needed a cheap acoustic to replace the Epiphone. I was spooking around Guitar Center on July 4, 2 days after my birthday, and I found a Mitchell MD-100 marked down to $85.00 new!!! My first assumption was- Now here's a guitar that sucked the day it was made, *and* it's defective, damaged, or both. So I picked it up and...Holy shit, yeah, it has the tinny sound of a laminated top (cedar, I think with Rosewood sides and back), but- very good intonation, excellent action, no buzzes. Compensated saddle, purfling, sealed tuners (probably 12:1). I swear I went over this cheap axe from stem to stern, and could't find a scratch, a ding, a crack, a loose brace, nada. It least it doesn't have the clunky neck of that old Jap Epiphone. What the hell, my new expendable acoustic. In 2 weeks, I get my grubby little hands on that Yammy. Just sharing-Richie
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