
WhinyLittleRunt
Member
Two questions actually:
I understand that the PGM Ins take the signal from another line-level mixer; is it just my unit or does it not route to the Stereo L/R fader even when selected? In other words, I can't hear anything via phones or speakers. Is it just that you're unable to monitor unless the tape is actually in rec mode? I haven't tried that yet because I didn't think that made sense...
And second, what would be the benefit to hooking up my M-308 mixer to the 388? Is there any other than expanding the amount of individual channels? And if that works through the PGM Ins, that goes back to my original question...
EDIT: I just did a test with a cassette deck in PGM 1 and 2 and recorded it to tape. I got it on playback, but the weird part is I have not found any way to monitor it going in, or during recording... That's where the hangup is.
I understand that the PGM Ins take the signal from another line-level mixer; is it just my unit or does it not route to the Stereo L/R fader even when selected? In other words, I can't hear anything via phones or speakers. Is it just that you're unable to monitor unless the tape is actually in rec mode? I haven't tried that yet because I didn't think that made sense...
And second, what would be the benefit to hooking up my M-308 mixer to the 388? Is there any other than expanding the amount of individual channels? And if that works through the PGM Ins, that goes back to my original question...
EDIT: I just did a test with a cassette deck in PGM 1 and 2 and recorded it to tape. I got it on playback, but the weird part is I have not found any way to monitor it going in, or during recording... That's where the hangup is.
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