
famous beagle
Well-known member
Ok so I'll listen to a song like "Airbag" from Radiohead's OK Computer and think, "that's awesome, I need to get some experimental, artsy stuff like that going."
Then a few days later I'll be listening to "Tumblin' Dice" by the Stones and think, "now that's just about as good as rock 'n' roll gets right there. I need to write a good ol' rock 'n' roll song like that."
Then I'll hear something folkie, like Dylan, and have the same reaction.
So I end up writing these songs in somewhat different styles. I mean, there are a few connecting factors I suppose, but ... I don't know.
Does this happen to anyone else?
Do you think it's more important to try to fuse these elements into your own style, or should you just write a rock 'n' roll song if you want, even though it may not have a place in your normal repertoire?
Thoughts?
Then a few days later I'll be listening to "Tumblin' Dice" by the Stones and think, "now that's just about as good as rock 'n' roll gets right there. I need to write a good ol' rock 'n' roll song like that."
Then I'll hear something folkie, like Dylan, and have the same reaction.
So I end up writing these songs in somewhat different styles. I mean, there are a few connecting factors I suppose, but ... I don't know.
Does this happen to anyone else?
Do you think it's more important to try to fuse these elements into your own style, or should you just write a rock 'n' roll song if you want, even though it may not have a place in your normal repertoire?
Thoughts?