B
BilltheCat
New member
Ok. I bit. I read the manual, and it says "Pristine 24-bit, 192kHz converters* that deliver an amazing 111dB (A/D) and 116dB (D/A) SNR and Dynamic Range" (did I tip my hand?). HOWEVER, when I read one of the fantastic tutorials from this forum, I discovered that all commerical CD's are recorded at 44.1 kHz. Sooo.....
Why would I even bother recording at the 48 kHz level if I'm going to have to strip it down to 44.1, much less even bother with the 192 kHz, which then leaves me w/o the onboard effects? (again did I tip my hand?)
Secondly(this is predicated on there being a reason for doing so, which I'm sure there is), if my outboard gear is likewise putting out 44.1 (or even 48 for that matter), NOW why would I want to record higher than the weakest link?
I'm sure I'm simply showing my ignorance here, which is fine--I am. That's why I joined this forum. To get educated, right?
Looking forward to learning...
Why would I even bother recording at the 48 kHz level if I'm going to have to strip it down to 44.1, much less even bother with the 192 kHz, which then leaves me w/o the onboard effects? (again did I tip my hand?)
Secondly(this is predicated on there being a reason for doing so, which I'm sure there is), if my outboard gear is likewise putting out 44.1 (or even 48 for that matter), NOW why would I want to record higher than the weakest link?
I'm sure I'm simply showing my ignorance here, which is fine--I am. That's why I joined this forum. To get educated, right?

Looking forward to learning...