Starting from Scratch

  • Thread starter Thread starter kristilyn
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K

kristilyn

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Hello!

I am just starting to build my recording studio. The bedroom I'm putting it in is an okay size, maybe a little small, but I think it's the best location in my house.

The reason I'm writing is to see if anyone can give me tips on starting a studio. This will basically just be for me for the time being and the only equipment I have is a computer (Dell Dimension 3100) and my keyboard (Yamaha P-140). I've already bought software and a M-Audio Fast Track Pro, and I'm wondering what are the "essentials" when building a home studio. What should I definitely be buying first?

I play keyboards, so the only live instrument that will be recorded is the voice, other than that, it's all through the computer.

Any suggestions?

Kristilyn
 
mic
preamp
maybe compression
interface for the comp
monitors
room treatment

if you are not considering expansion later, to lots of simultaneous track, you can probrably get a decent firewire or USB interface for about $200.

What kind of voice will you be using? what is your budget?
 
My budget varies whenever I look at it ... I have about $1,000 left after buying the software.

I'm pretty sure that the M-Audio Fast Track Pro is an audio interface with a pre-amp. I think ... I skimmed through the detail page on the M-Audio site, but the guys at Long and McQuade recommended it after I told them what I had and what I was looking for.

I've realized I'll have to get moniters ... I'll look at Long and McQuade the next time I'm in. I'm not sure what room treatment means ... I'm used to sound when playing live, but when it comes to recording, I'm not sure what kind of caution I should be taking ...

The only live thing is the voice, my voice, which is probably in the soprano, alto range ... think Kate Bush, Sarah Slean, or Charlotte Martin ... minus a lot of soprano ...

I already have a mic ... I'm not sure if it'll be suitable for recording, though. I bought it for live performances. I can always rent mics from L&M to try them out and eventually buy one solely for the studio.

My main purpose right now is for my music, but eventually I wouldn't mind recording other people. Mainly as a hobby and to better my understanding of the software and the whole recording process.

The programs I've bought are Cubase SL and Reason 3.0 ... I'm hoping they'll be good for now. Although I have no clue how to use them. I have Finale on my computer (a music writing program) and I'm still figuring out stuff on it, but I guess that's the beauty of it ... you can't know absolutely everything and once you do, there's always a newer version with more fun things to figure out.

:)

-K
 
First thing, take some time to read through the various forums here and you will learn a ton and can make a more informed opinion.

This forum (Studio building) is not lieterally designed for your question, it is for people physically building a studio, with 2 x4s, etc. While you are here though the "room treatment" question can be adressed.
Hoever muchyou spend on gear, if your room sounds bad, the recorded signal will sound bad. A big diff. between live and recording is the qualty of signal, and that you probabaly use a dynamic mic like an SM58 foir vocals live, where most start with a condenser for thier recording vocal mic. Condensers need phantom power, less gain, and pick up way more ambiant sound than dynamics (not necessarily better or worse, jsut different). if you put on headphones and throw up a nice condenser and just listen, you will hear crazy stuff usually. Insane pounding that turns out to be the cat walking in another room, fighter plane noise that turns out to be your fridge's compressor running, etc.
So room treatment can do a couple things, help provide some protection from all that noise (don't use the word soundproofing, you need to literally build from the ground up to get true soundproofing and there is a difference) and even more importantly usually, tuning the room for your recordings. You see, a rectangular bedroom is jsut about the worst acoustic space you can find. Sound waves travel in a manner that will bounce around a room like that in the worst way, and the wave will reenforce each other in some spots and cancel each other out in others. Ever hear a local news network throw a mic up in some high school gym town meeting or something and the sound of the person speaking is jsut grating to listen to with all the eching and reverb and horrible stuff going on? That is what you want to avoid to any degree in your room. You can diffuse the sound (spread out the reflections so they don;t build up between the parellel walls) or absorb (jsut grab it out of the air.

Look at it like this: if all you get is BAD reflections, you best bet is to isolate as much as posible and eliminate the reflections (you can always add reverb in after the fact in your software). That is the basic idea of a vocal booth, an isolated area where you can get the pure voice with no messy stuff.

ont he other hand, not too many opera halls have seperate vocal booths for each performer. These are descigned to have space that works in precise ratios, with walls that are not parellel and make for very falttering reflections.

If you clap in your room and hear a fast echo with a little flutter, you have reflection issues- this test only works for mid range frequencies, but is a good start. When you see pics of recording space you will see acoustic foam behind the monitors usually, this is to tame reflections from the back of these speakers from coming around and misleading the ear from waht is being monitored. A diffuser could be as simple as a bunch of books of different sizes on a bookshelf that bounce the sound around differntly, or a piece of fairly thin plywood bent in an arc (prefereable several, with different radii and different degrees of arc (think of the difference between a bell and a ball).
Everyone needs lots of bass absorption though. bass waves are long and then tend to bounce around the room until they start to line up along the diagnals where there is the most space. When they start to line up, they start to reinforce or cancel each other out and you get dead spots or boominess. The standard bass panel absorber is a 4 inch thick peice of owens corning rigid fiberglass that straddles the corners of your room from floor to ceiling.
diffuser stuff:
http://forum.studiotips.com/viewtopic.php?t=1851
corner absorber
http://forum.studiotips.com/viewtopic.php?t=534

Ignore all the technical stuff here and just check out the pics.

Your recordings will sound a lot better if your room doesnt; get in the way. But if youa re jsut doing vocals, you might want to stand int he closet, with all the slothes hanging there when tracking. The clothes will absorb that stuff like the fiberglass does, and you essentiall have your vocal booth.

Daav
 
Thanks, Daav ... that helps a bit. I guess I'll just have to start doing it and see what the results are and go from there.

Oh, and the noise about the cat walking across the floor ... my cat's very loud ... she'd probably pass for a drum beat on some ears. :)

-K
 
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