A
antonyarcuri
New member
Hi,
I'm a student at Huddersfield Uni, at the moment I'm in my final year of studies and for my final major project I intend to recreate Phil Spector's wall of sound. I was just looking for some advice with a problem I have encountered in my research.
Spector used an echo chamber to record natural reverbs and I intend to do the same thing. The first question I am having trouble with is how Spector sent a mono signal to the chamber, recorded the reverb to his snare track in stereo, then converted this back to mono, splicing his source signal with the new wet signal.
In my project I intend to use analogue methods so taking the signal into a PC and creating 'fake stereo' is out of the question. At the moment I'm at a lost cause with this question. Any help you can give me will be much appreciated.
Secondly I was wondering if Spector recorded his band at once onto tape, how would the signal then be split so that only the snare could be sent to the chamber ?
Thanks for your time
Antony Arcuri
I'm a student at Huddersfield Uni, at the moment I'm in my final year of studies and for my final major project I intend to recreate Phil Spector's wall of sound. I was just looking for some advice with a problem I have encountered in my research.
Spector used an echo chamber to record natural reverbs and I intend to do the same thing. The first question I am having trouble with is how Spector sent a mono signal to the chamber, recorded the reverb to his snare track in stereo, then converted this back to mono, splicing his source signal with the new wet signal.
In my project I intend to use analogue methods so taking the signal into a PC and creating 'fake stereo' is out of the question. At the moment I'm at a lost cause with this question. Any help you can give me will be much appreciated.
Secondly I was wondering if Spector recorded his band at once onto tape, how would the signal then be split so that only the snare could be sent to the chamber ?
Thanks for your time
Antony Arcuri