I went thru a few vocal mics and really liked the SM7b and had never had the gearlust to replace it. it quenched the need.
other notes of it being great for a "bad" room. lead me there.
Thats the biggest positive, imo, for the SM7 is its a LDC, but its not too sensitive like some LDC's...you know those overly sensitive mics that can pick up an ant crawling across the floor! or magnify your nostril cavity air intake, making it sound like a 747....geez..
the SM7 wants you right on it, yet if you back away it's not picking up the gear clicking in the attic fan. Obvious, it works well for Announcer Booths.
I can relate, you say you only need ONE good Male Vocal mic, same here.
I wouldn't be surprised if this works well for you. with a good pre.
Come to think of another big positive, I've recorded some kids around here doing some screamo, or whatever music it is....and I don't even worry about the SM7, its a strong well-built tool. The vibe of a real steel workhorse. solid.
Not like some ribbon, fragile, piece of Waterford crystal mic which could blowout if someone whacks it with a guitar headstock.
which is another huge plus around here as there's frkn a never ending trail of teensters coming and going, jamming nearly every day, breaking stuff...
they've broken two mic stands? in all my years I've never broken a mic stand?
