
cominginsecond
Decentralized Media Mogul
Newbies, mark my words. You will rue the day you ever buy any of the following pieces of equipment. Don't make the same mistakes I did!
1. Alesis Monitor Ones - Mixing with these was like painting with the lights off. I learned more about my mix from playing it in the car than I did from these monitors. They made everything, no matter how messed up, sound fairly good. AWFUL AWFUL AWFUL!
2. AKG C1000s Mic - Brittle, harsh, and thin. Good for nothing other than guitar cab.
3. Presonus Blue Tube - Dark, noisy, and ugly. OK as a bass DI, but not worth the price.
4. Any Nady rackgear - You don't want this stuff in your signal path. The compressor pumps and breaths like a mofo and just introduces way too many artifacts. The parametric EQ is harsh, and the graphic eq sucks as well. As cheap as Behringer, but not as good, and that says a lot.
5. Sonic Maximizer - Basically, this thing is a "suck" knob. Unless you're recording to a cassette four-track and need to brighten up a few tracks, this box is more or less useless.
1. Alesis Monitor Ones - Mixing with these was like painting with the lights off. I learned more about my mix from playing it in the car than I did from these monitors. They made everything, no matter how messed up, sound fairly good. AWFUL AWFUL AWFUL!
2. AKG C1000s Mic - Brittle, harsh, and thin. Good for nothing other than guitar cab.
3. Presonus Blue Tube - Dark, noisy, and ugly. OK as a bass DI, but not worth the price.
4. Any Nady rackgear - You don't want this stuff in your signal path. The compressor pumps and breaths like a mofo and just introduces way too many artifacts. The parametric EQ is harsh, and the graphic eq sucks as well. As cheap as Behringer, but not as good, and that says a lot.
5. Sonic Maximizer - Basically, this thing is a "suck" knob. Unless you're recording to a cassette four-track and need to brighten up a few tracks, this box is more or less useless.