R
Robunck
New member
Hi all, this is my first post to this forum, although I'm not a total newbie to recording, just this forum. What a great resource!
Anway, my question: what are your techniques for separating harmony from your lead vocal track? What I mean is when I hear pro recordings where the lead singer is singing his won harmonies, when they kick in, you still know what is the lead vocal and what are the harmony vocals.
On my recordings, often when my harmony vox kicks in, I don't have enough "separation" and it can get confusing which is the lead melody and which is the harmony.
What are your techniques? Do you pan the harmony off from the lead left/right? Any EQ tricks? Is it simply volume (the melody quieter than the lead vocal)? Different mic placement? Do you literally sing the harmony with a different technique (more breathy or something?)
Any help at all would be greatly appreciated. Thanks!
Anway, my question: what are your techniques for separating harmony from your lead vocal track? What I mean is when I hear pro recordings where the lead singer is singing his won harmonies, when they kick in, you still know what is the lead vocal and what are the harmony vocals.
On my recordings, often when my harmony vox kicks in, I don't have enough "separation" and it can get confusing which is the lead melody and which is the harmony.
What are your techniques? Do you pan the harmony off from the lead left/right? Any EQ tricks? Is it simply volume (the melody quieter than the lead vocal)? Different mic placement? Do you literally sing the harmony with a different technique (more breathy or something?)
Any help at all would be greatly appreciated. Thanks!