
stetto
Left Unattended
I started out with this machine in the late '80s, bought new. It worked just like a 4-track Fostex for years, and gave me some decent recordings (for a 4-track Fostex). I retooled a few years ago with an Alesis ADAT setup, and have recently ordered a Yamaha AW1600, but am keeping the Fostex around for quick cassette mixes--or not, if I can't find the answer to a slight irritation;
The playback seems to work just fine, reproducing pre-recorded stuff pretty clean and true. In fact, when recording tracks from the ADAT system the X-26 reproduces almost exactly what I put on it, through headphones or speakers, but only on the Fostex. When I put the tape into any other machine I get what sounds like the speakers were laying at the bottom of a bucket of Aunt Jemima Butter Flavored...Even though the playback head gives no indication of this on the Fostex. What I've done to compensate is to run the tracks through a dual 32-band graphic with a LOT of enhanced highs and mids and cut lows, and though I do get a much better end result, monitoring the process is very hard on the ears...
I'm no tech, as you can see, but I'd like to know if I've got a head out of alignment, a need for deguassing, or an electronical problem that is too much hassle for what the machine is worth. Like I said, it reproduces the stuff I record to it fine on itself, and commercial stuff sounds fine as well...Yes, the heads have been cleaned, along with the other accessable moving parts...
Thanks for any help
The playback seems to work just fine, reproducing pre-recorded stuff pretty clean and true. In fact, when recording tracks from the ADAT system the X-26 reproduces almost exactly what I put on it, through headphones or speakers, but only on the Fostex. When I put the tape into any other machine I get what sounds like the speakers were laying at the bottom of a bucket of Aunt Jemima Butter Flavored...Even though the playback head gives no indication of this on the Fostex. What I've done to compensate is to run the tracks through a dual 32-band graphic with a LOT of enhanced highs and mids and cut lows, and though I do get a much better end result, monitoring the process is very hard on the ears...
I'm no tech, as you can see, but I'd like to know if I've got a head out of alignment, a need for deguassing, or an electronical problem that is too much hassle for what the machine is worth. Like I said, it reproduces the stuff I record to it fine on itself, and commercial stuff sounds fine as well...Yes, the heads have been cleaned, along with the other accessable moving parts...
Thanks for any help