B
BigEar
New member
Hello all,
I have heard of feedback eliminators for live settings and am still unsure if they are very useful or not. I generally work with very ameteur performing groups in very poor church auditoriums. The performers vary wildly in their use of the microphones and many times error on the side of holding it too far away. (Of course it is always the sound techs. fault no one can hear them).
I have been thinking of getting a DBX AFS224 (decent price) but am unsure of what to expect. How well/fast do these types of boxes track down and eliminate squeals? Can they keep up with roving microphones? When the boxes are working, does the room sound like an overgrown PVC pipe?
Thanks in advance for your help.
BigEar
I have heard of feedback eliminators for live settings and am still unsure if they are very useful or not. I generally work with very ameteur performing groups in very poor church auditoriums. The performers vary wildly in their use of the microphones and many times error on the side of holding it too far away. (Of course it is always the sound techs. fault no one can hear them).
I have been thinking of getting a DBX AFS224 (decent price) but am unsure of what to expect. How well/fast do these types of boxes track down and eliminate squeals? Can they keep up with roving microphones? When the boxes are working, does the room sound like an overgrown PVC pipe?
Thanks in advance for your help.
BigEar