Hey, thanks guys, I appreciate the kind words and the great feedback. This one has been brewing for awhile, so it feels good to finally be close to done with it, I'm pretty darn sick of it honestly
@Washburn100 - Yeah, I have seen those reviews in recordingmag.com and thought about submitting once or twice, maybe I'll do that with this tune. My setup for this wasn't too complicated, but there are a
lot of guitar tracks. I own a strat that I use for most of my stuff, no choice really since it's my only electric

It tends to sound thin for this type of style, and I heard a lot of feedback to that effect on a previous song I submitted, so I recently borrowed a Les Paul to do some retracking, and the end result is that this tune has two rhythm tracks with the strat, panned hard left and right, and two tracks with the LP, also panned hard left and right. I think there's a danger with that many rhythm tracks that you can end up with a mushy sounding guitar part if you aren't careful and you don't synch up the takes pretty closely together. Hopefully I succeeded in that respect.
Not to write a book here, but...I don't have any real tube amps (yet) to record with, so I use a Line6 UX8 and Pod Farm. My recent time spent with Pod Farm has convinced me of a couple of things: 1) All of the stock tones have way too much gain, and way too little mid, so they need to be tweaked accordingly, and 2) sometimes backing off the volume on the actual guitar itself is a decent way to get the models to sound a little less fizzy. I tracked all of these rhythms with the volume knob backed down to around 7, and to me it just sounds better that way, I'm not sure why.
Hey Brad, thanks for listening! The solo was recorded with the strat, and I didn't replace it with an LP recorded track because I just loved the vibe on that strat solo take, so I'm leaving it alone. I agree that the tone is less than stellar, but I also have a bitch of a time with my guitar tones for some reason, and I figured in this case I'd just stick with the performance I loved rather than try to duplicate it with a better tone. I'm going to add that to the rapidly growing list of things I want to revisit in the future as soon as I have time
@ Joey - thanks man! I saw on your recent post that you are using Slate drums, and I just recently ordered Slate Digital Trigger, and I'm excited to see if I can improve my drum sounds with the trigger and their samples. Hopefully yes. The interesting thing about these drums, and probably what is tweaking your ear a little, is that there are actually slightly different drums in the different parts. I couldn't find any loops in Logic that did exactly what I needed, so I took the basic loop that you hear in the intro, and then added my own accents on a second track with a software instrument. The sounds are close but not exact. Also, same thing later in the song with other parts/fills, etc. Again, I'm thinking Slate Trigger will help me with that because I can hopefully trigger the same samples with all of my programmed stuff.
Sorry for such a long response, but hopefully some of this is useful/interesting
Thanks for listening guys!
Dave DeWhitt