
rayc
retroreprobate
Hi Folks,
With my main recording comp currently dead, (down & out for 4 weeks now), I've been revising/remixing etc to keep boredom at bay.
The day before the beast died I recorded new guitar tracks for an old song called Softdance. Previously I'd used clean guitars & a cakewalk amp sim along with boogex to get some snarl. I'd, luckily, saved the project to an external drive & have played with it on another computer.
This time round I used my tubecube to attenuate the signal of the amp & was able to crank the guitars into the etone 200w single cone without blowing my head off. On one take I used a Big Fluff (Muff clone) to get some extra distortion as the amp (a Superbass MkII) doesn't have the usual crankbale gain stage of a guitar amp. I used my Bruno for two takes & Epi Sheraton II for the other.
I recorded each of the three takes using a pair of mics. MSH1 & a 57 on one and the MSH & a la Grange on the other two. Not thinking ahead I set 1 mic on the left of the big bass cab cone & the other on the right. This caused phase problems that left me with a muddy guitar tracks then the comp carked it.
I used a tiny bit of delay & set the effect to 100% (no dry) on one of each pair of tracks & that improved things enormously - then a little EQing to create some more sonic difference. I panned the twin tracks away from each other & then mixed.
This is my 1st recording with real, as opposed to sims, tube based distortion.
Does it work?
http://www.soundclick.com/util/getplayer.m3u?id=4072258&q=hi
With my main recording comp currently dead, (down & out for 4 weeks now), I've been revising/remixing etc to keep boredom at bay.
The day before the beast died I recorded new guitar tracks for an old song called Softdance. Previously I'd used clean guitars & a cakewalk amp sim along with boogex to get some snarl. I'd, luckily, saved the project to an external drive & have played with it on another computer.
This time round I used my tubecube to attenuate the signal of the amp & was able to crank the guitars into the etone 200w single cone without blowing my head off. On one take I used a Big Fluff (Muff clone) to get some extra distortion as the amp (a Superbass MkII) doesn't have the usual crankbale gain stage of a guitar amp. I used my Bruno for two takes & Epi Sheraton II for the other.
I recorded each of the three takes using a pair of mics. MSH1 & a 57 on one and the MSH & a la Grange on the other two. Not thinking ahead I set 1 mic on the left of the big bass cab cone & the other on the right. This caused phase problems that left me with a muddy guitar tracks then the comp carked it.
I used a tiny bit of delay & set the effect to 100% (no dry) on one of each pair of tracks & that improved things enormously - then a little EQing to create some more sonic difference. I panned the twin tracks away from each other & then mixed.
This is my 1st recording with real, as opposed to sims, tube based distortion.
Does it work?
http://www.soundclick.com/util/getplayer.m3u?id=4072258&q=hi