Thanks for your time, everyone!
Hi Guys,
Thanks so much for your invaluable feedback. I really appreciate the time you have all taken to provide me with the benefit of your experience.
There is a lot of great information here that will help me mix better.
Gascap - Thank you. You have given me some good ideas for producing this mix to a higher level.
powderfinger - Thanks for the listen. I haven't heard Live Rust, but I will have to check it out.
Kelly5150 - Thanks for your kind words and the listen.
Studioviols - I really wish there was some sort of HR.com or internet collaboration award. The amount of time you spend on this site and others is testament to your commitment and dedication to music and you desire to help the community grow. Wow. You have some awesome information in here that I am still digesting. I will incorporate all of this into a remix shortly. Thanks so much for the benefit of your ears - you have articulated succinctly the half truths my ears have been reporting.
HevyD47Ca - Thanks for the listen! Next time I will do something a little more creative with the cover. Kazoo? Piano accordion? LOL
Erland - Thanks for your praise -- it means a lot coming from the maker of some of the most delightful music on this board. This was all recorded in my little dogbox upstairs. Sonar 3.0 PE and an Aardvark 2496 4in-4out card @ 24bit, 44.1KHz.
I used a Washburn cutaway semi-acoustic and took a direct line from the guitar, with it's EQ set to Bass @ 5, Mids @ 6 and Treble @ 9. I then recorded a seperate track with a cheap and nasty ADK A-5s condensor. Both tracks went into my equally cheap and nasty Behringer Ultragain Pro microphone pre-amp and then into my compressor and finally to the sound card. Ratios of about 4:1 were using while recording. I pushed the levels fairly hard so that I was limiting the attack of the finger-picked note, yet bringing the body of the note up to a relatively high level.
The only other thing that I did with the guitar was to roll off 150Hz and below by about 6db on the DI guitar track. I rolled off everything below 45Hz on the mic'd guitar track. I then added, (too much), reverb as a bus insert.
The vocal tracks I did as - main vocal - extremely compressed at a low threshold and a 8:1 ratio. I did this to try and bring a sense of intimacy to the vocal track. All other BG vocals were recorded
with a compression ratio back at about 5:1 and a more relaxed threshold. I then EQ'd these BG vocals to make them "thinner". What I have not done on this mix - as picked by Studioviols - is tame the level of the main vocal double track. When it comes in it is spiking up my vocal level quite a bit..... Oh well, live and learn.
Thanks again guys!

Q.