My review of the $39.99 condenser

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Jotosuds

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the MXL V63 BP which cost 39.99, now $59.99
i'm comparing it to a $9 radio shack dynamic.

signal chain is:

mic(s) -------> "MIC IN" to onboard sound

....

welp, it sounds different. a lot more... reverby. kinda high on the treble. i don't know if it sounds better. i thought these condenser mics could pick up tiny noises, but i couldn't hear any small noises that i made.

if i got a "real" soundcard, and used the Audiobuddy i never use, then the contrast between the two mics should be much starker, right? my sound should be a lot better right?

thanks dudes.
 
I don't understand your signal chain.

Even though the mic has its own battery power, you need a preamp to get the signal to line level to go into your soundcard.
Use the audiobuddy - plug the mics into it, then the outs of the audiobuddy into the line in's of the soundcard. Then you can compare two mics at once. The condenser should have a lot more gain then the dynamic, and sound a lot better too.
 
Would anyone like a review of the Creative Labs mic that was free when I bought my sound blaster live 4 years ago? ;)
 
i think if i had a better soundcard, and used the audiobuddy, it would sound a lot better. that's my conclusion.

but for now, it looks like i'm still gonna be using the good ole radio shack. it hasn't failed me yet....

oh yeah... one more thing. it said on the V63 instruction manual to not get moisture on the mic. it was really vehement in making this point. it said use a pop filter or screen whatever. are they for reals?

thanks dudes. especially chessrock :)
 
Equipment review: Creative SB Live! Microphone

As promised, here is my review of the free Creative Labs microphone that came with my sound blaster live platinum pack, purchased roughly 4 years ago.

Product description:

There is no model number on this mic, so if you want to buy one on your own, you'll need to do some searching. I could look it up in the manual, but that would require me to get out of my chair.

The mic assembly is roughly 12 inches long with a bend about 8 inches into the casing. It resembles a pipe cleaner with a small microphone at the end, or some sort of probing medical device. Creative labs was kind enough to include a desktop mic stand for it. I do not believe it has any shock-absorbing qualities, though.

Since I don't have the appropriate adapters to run the 1/8" plug into a normal mic preamp, I'm going direct into the microphone in jack on my abit nf7-s motherboard.

The sound:

Firstly, I was required to boost the gain on the sound control panel to maximum to get a usable signal. From a comfortable distance of 12 inches, I was able to get a level that reminded my of someone talking into the phone while they were facing the wrong way. After checking the 'Boost' box on the Nvidia audio control panel and moving closer, I discovered the sweet spot appeared to be 0 to 1 inches from the microphone itself.

However, at this distance, a lot of popping was noted as I spoke into the mic. This could be reduced with the addition of a pop filter, but mounting one to the stand would cause the mic to fall over. Another possible solution would be to hold an old T-shirt in front of the microphone, but again, that would require me getting out of my chair. That test will just have to wait for another day.

The microphone began to distort on most any signal. This could be a useful effect depending on certain applications (see below). Another possible drawback is that the slots cut into the side of the microphone picked up my exhaling since I was 1/2 inch away from it. Breating should definately be avoided when using this microphone.

To test the results on male voice, I sang a few david lee roth inspired 'zappa do boppity dooby de wop' type verses into the mic. Getting into the groove, I also made up a few lyrics on the spot about body parts and bodily functions.

On the whole, the microphone didn't seem to shine in any area, but that just makes it all the more versatile (no one trick pony here!) Boosting the gain on the mic input did result in a good deal of noise being picked up, but a noise gate should be able to solve that. I must say I did enjoy reviewing the microphone, since I didn't have to get out of my chair the whole time.

Summary:

Pros:
- Free with purchase
- Includes free mic stand
- No need for phantom power
- Was sitting in my closet unused for years

Cons:
- Small sweet spot
- Would require several adapters to use with a normal mic preamp
- Sounds like ass

Conclusion:

While the mic has its share of drawbacks, the cost of the microphone (free) puts it in the running with microphones I'd actually have to pay for. While I wouldn't use it for vocals, guitars (electric or acoustic), drums, or other instruments, I'm sure it will be a useful addition to my microphone locker should the need arise to sound like I'm announcing trains at a subway station.
 
Re: Equipment review: Creative SB Live! Microphone

David Lo Pan said:
After checking the 'Boost' box on the Nvidia audio control panel and moving closer, I discovered the sweet spot appeared to be 0 to 1 inches from the microphone itself. . . However, at this distance, a lot of popping was noted as I spoke into the mic. This could be reduced with the addition of a pop filter, but mounting one to the stand would cause the mic to fall over.


Man, that's great stuff! :D


The microphone began to distort on most any signal.


. . . and it gets even better.


On the whole, the microphone didn't seem to shine in any area, but that just makes it all the more versatile (no one trick pony here!)


Stop it ! ! ! You're killing me over here ! ! :D :D


the cost of the microphone (free) puts it in the running with microphones I'd actually have to pay for.

You should send this in to tape op. :D
 
yeah

I saw a post somewhere that you can actually make a mic with a needle, tin foil and coal ( coal from Pittsburgh was recommended).
 
ROTFLMAO @ David Lo Pan !!!!

I'm dyin' over here :D :D :D :D :D :D :D

Nobody else in the office really would get this, either. It's a shame I can't pass it on ...
 
Funny shit.

We should get Harvey to do a raving review of it and see what happens.
I have that very same mic and must agree it sounds like ass from another planet. But, when all else fails, it makes for a workable emergency talkback mic. :)

I'll give you $150 for that mic so I can have a stereo pair. Let me know.
 
That review gave me an idea, and since I'm drunk and stoned, I thought I would actually try it as a medical device.

Plugging the mic into a headphone adapter and then into my RNP, I was able to get fair levels at a high gain setting.

I then started recording and stuck the mic as far down my throat as I could, just shy of puking but making some awful gagging noises. Some Vintage Warmer and hardcore panning made for a very cool effect. I give this mic a B+ on this particular source.

Next, and lastly, I stuck the mic up my ass. I recorded the entire process including the penetration. I only went in a little past the curve in the mic, and I must say there are some very interesting sounds to be heard in there. There was plenty of clarity in the mic with the RNP. I made the mistake of turning on the phantom power while it was in my ass, though, and I do not recommend trying THAT. Shew.
I give the mic an A- for that particular source.
Thanks for reminding me I had such a useful and special microphone. Next time I need to record something that sounds like ass, it will BE an ass.

Peace.
 
<<Next time I need to record something that sounds like ass, it will BE an ass.>>

and now you've got the added sensory bonus of it smelling like ass, to boot!


y'all are really too much. :D


wade
 
Throat, ass, throat, ass... I think I saw that in a porno once...
 
David Lo Pan, that post was so right-on.

I just wished that you had tried the mic on some other sources, like guitar cabs and pianos. I'm looking for a cheap/free mic to record my new Steinway, and I was hoping for something with an 1/8" mini plug so I can go straight into my boombox without all the hassle.
 
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