at
www.crapshaith.org , music page, I have a buncha stuff up that I've done. I think all of those the 990 was used on vocals, and anything with live recorded drums, the 990 is used as an overhead.
roommadness.mp3 the guitars were done with a 57 right up against the grill, and the 990 several feet back, aimed down at the wood floor (cuz the direct sound had too many harsh highs... for distortion I'd really reccomend something without the hyped highs, it's more of a "vocal mic" type response).
Other than that, I dont think I used the 990 on any distorted guitar, but it does work fairly well on clean stuff, where the nasty high end of distortion isn't a problem.
Lately I've been using
my Cad m179 on vocals (with eq to make it sound more "vocally".... I've been adding just a decibel or so around 3 and 5k, and I find that I need to cut a few db from around 500hz to make it really click into place with other tracks on my vocals, but I think it has a little smoother of a sound than the 990...costs a bit more though, so it should.)
I've been wanting to try the m179 on distorted guitar, cuz I did a clip of it that I really liked..... it's on that site somewhere....
It has some compression and chorus on there that I didn't realize was left on (had it routed into a group track I'd been fiddling with acouistic on by accident), so it makes it sound more appealing to the ear than it really is...
But in the context of a mix, I just haven't been able to justify using it, as I've only done a couple things, and the 57 was the right tone.
edit: oh yeah, and for reference, all those were recorded with a tascam us-428, using the built in pre's, into cubase sx 1.0, with plusing including some of the psp stuff,
tc native bundle, and some various freebie stuff like SIR reverb, kjaerhaus classic stuff, etc.