Ok, here is the deal with DV video (Sony VX1000, Canon XL-1, Mini DV, etc.), the compression will never ever ever get better than 5:1 compression, because the camera records at 5:1. and 4.1.1. (4.2.2 vs 4.1.1 is another arguement, mostly concerning mattes). Digital Betacam, Digital S (made by JVC), DV Cam are 4.2.2 Broadcast standard, but let's not kid ourselves... these formats are very much out of the $2k budget. DV with firewire is the only way to go. Analog (although uncompressed) like Hi8 or SuperVHS is still at 400 lines of resolution which is 20% less than digital. Full blown uncompressed video will eat your hard drive so fast, you won't be able to dump a lot of raw source material into your workstation. Video eats much more than audio. By the way, 1:1, 2:1 and even 3:1 compression are still broadcast standard. So you can get by without owning an Avid 8000 media composer ($250,000) at 1:1 compression. Some video cards at 4:1 compression (like some Fast boards) say they are broadcast standard... survey says "liar!" And a 4:1 compression won't help you, because if you use DV, it's locked in at 5:1. This is why I needed to know the end user. Where were we? Only buy 60 min tapes max, the tape at 180 min. is too thin. Pre blacken tapes and the Sony made DV tapes with the chip ($25) are the very best ways to prevent artifacting. As for Video Vegas, phone both Sonic Foundry and the video board manufacture tech support regard Vegas being compatable. Video Vegas is so new on the market, I would try and find actual users in the field before buying this product.The problem with audio makers moving towards video is that this is there first version. I'm sure version 2 would be safer. Video boards have the same problem when moving towards audio. Sonic Foundry is a safe bet but fine a third and fourth opinion from actual users before buying. As for sinc, with Sonic Foundry stuff, you can sinc to 30 fps, 29.97 fps, 24 fps (film) and so on and so on. Their developers had the visual media inmind. 8)
Good luck
Van Gogh