P
Phyl
Guest
If I buy a 26 channel microphone snake cable, can I use some of the channels for line level signals, some for headphones and some for mic signals?
Is this common practice?
Is this common practice?
Phyl said:If I buy a 26 channel microphone snake cable, can I use some of the channels for line level signals, some for headphones and some for mic signals?
Is this common practice?
RICK FITZPATRICK said:I could be wrong, but from my perspective, LINE LEVEL sends are used to drive LINE LEVEL inputs on HEADPHONE distribution amps in the studio. If you are driving headphones at the output level of headphone amps, hmmm, I really couldn't tell you if there would be crosstalk. Personally, I use a seperate balanced line which is actually a stereo headphone level to drive a passive splitter which can be daisy chained. I bought ONE of the units, and copiedthe circuit and built 3 more. Hahaha. Cost me $5 in parts. The units were $65 ea. Fuck that. Actually, I modified the design to insert switchs for monitoring different sources, and two of these units are under the armrest in my console for recording or for monitoring/listening/mixing on headphones when multitracking in my control room.
fitZ![]()
I couldn't scientifically tell you. It IS common practice for live applications, but whether or not there IS a possibility of crosstalk between mic signals and line level, I don't really know. When unknowns are possible, then SAFE is probably the best choice. But I'm SURE frederic or someone with electronics knowlege could tell you the answer.(Actually, I've wondered this myself)So to be safe, it sounds like I should keep line level signals out of the mic snake.
SillySillyStacy said:What are the 4 1/4"s for?
I read somewhere for monitor or something but what if you already have a monitoring system set up and can use it just the way it is already set up?
Is each plug taking the signal from all the 16 XLR's?
What would be the purpose of that in a recording enviorment if any?
Thanks